1、強(qiáng)化寫作筆記補(bǔ)充句型（10組）第一段 描述圖畫一、第一句Considered as one of the most famous Spanish painters, Picasso once said: “The inner world of us is reflected in our drawings”, which is expressed in the picture mentioned above.Claude Monet, the well-known French impressionist, remarked in his speech: “A picture can be a

2、 whole impression of our life.”, whose meaning is expressed in this picture.Da Vinci, the celebrated artist during the Renaissance, mentioned in his article: “The depiction of our outer world is just the inner reflection of our heart and real life.”, the meaning of which is expressed in this picture

3、.Raphael, the famous Italian artist in 15th century, once referred in his diary: ”what we leave on the picture goes far more than itself rather than its own appearance”, while the picture here demonstrates his words.Feng Zikai, a cartoonist with great reputation in modern China, said in the introduc

4、tion of his works: ”It is the reality that our pictures wish to convey”, just as what the drawing above does.Qi Baishi, an excellent oriental painter being brilliant in his wash painting, stated when mentioning his works: ”where there is picture, there is reality”, the implication of which is shown

5、in the picture above. Xu Beihong, a successful painter with his famous works “A Portrait of Eight Breed”, once said: ”No portrayals, no hearts”, while the picture here totally expresses his words.(照片)Man Ray, the distinguished artist as well as a professional photographer, once said:”When image is s

6、hown in the form of photos, so is the whole world.” , and the sense of his sentence can be reflected in the picture.(照片)Edward Weston, the American photographer with worldwide fame, once remarked: ”what I took into the photo just means leaving my thoughts here”, and his words are perfectly expressed

7、 here.(照片)Sarah Moon, the French artist with great reputation, mentioned in his speech: ”while taking photos, we are actually taking our thoughts in”, while this photo completely shows his words.二、第二句(五大分句: 1, 2, 3, 4, 5)三、第三句It is no exaggeration to say that the drawer aims at more than the scene i

8、tself.It is plain enough to show that the painting/photo reflects a deeper content at its back.It is undisputed that the picture embodies an inner meaning going beyond itself.Through pondering over the appearance of it, the hidden theme can easily be drawn,The theme judged from all the scenes mentio

9、ned above emerges from the deep water.Becoming visible, the topic about which the drawing discusses can be drawn from here.Exceeding what the picture depicts, the theme is far from what we see.Whatever we see in this drawing, it deserves our attention and deep thought.Not only limited to the outer a

10、ppearance itself, the drawing stands for a profound issue.It is self-explanatory that the core issue lies not in the picture itself, but what it wishes to convey.第一段 描述圖表一、第一句It is clearly depicted in the bar chart/line chart/statistics table/pie chart above that the current situation of 標(biāo)題has prese

11、nted a certain tendency of variation. What we can notice in the graph/table above is that the condition of 主題詞has differed in various places/time/aspects. 二、第二句動(dòng)態(tài)圖趨勢(shì)一The data of 主題項(xiàng)1 has presented an upward/downward trend in a dramatic/low speed, starting from起點(diǎn)數(shù)據(jù)+時(shí)間 and reaching終點(diǎn)數(shù)據(jù)+時(shí)間2, (afterward

12、s rising/falling to 終點(diǎn)數(shù)據(jù)2 in 時(shí)間3). The data of 主題項(xiàng)1 goes upward/downward substantially/slightly, whose figure of+時(shí)間 is+起點(diǎn)數(shù)據(jù) but reaches+終點(diǎn)數(shù)據(jù)+in+時(shí)間2, (and then rising/falling to 終點(diǎn)數(shù)據(jù)2 in 時(shí)間3). Showing an upward/downward tendency, the figure of 主題項(xiàng)1 has risen/fallen sharply/slightly, whose starting po

13、int is 起點(diǎn)數(shù)據(jù)+時(shí)間1 and final point reaches終點(diǎn)數(shù)據(jù)+時(shí)間2, (subsequently growing/going down to 終點(diǎn)數(shù)據(jù)2 in 時(shí)間3). The data/ratio of 主題項(xiàng)1 has gone up/declined in a quickening pace/in a moderate speed from 起點(diǎn)數(shù)據(jù)+時(shí)間 to 終點(diǎn)數(shù)據(jù)+時(shí)間2, with a huge/small data gap of some+差額, (rising/falling to 終點(diǎn)數(shù)據(jù)2 in 時(shí)間3), which was the fi

14、rst information we figure out from the graph/table.The primary tendency that we first notice is about分項(xiàng)1, the figure of which in/on/at起點(diǎn)時(shí)間 was originally起點(diǎn)數(shù)據(jù), going up/down dramatically/gradually and reaching 終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間, (, shortly after this it grows/falls to終點(diǎn)數(shù)據(jù)2 in/on/at 終點(diǎn)時(shí)間2).趨勢(shì)二Dissimi

15、larly, 主題項(xiàng)2s tendency is quite different/opposite, which declined/went up steadily/substantially, from 起始數(shù)據(jù) to 終止數(shù)據(jù)，(then rising/falling in 時(shí)間3 to 終點(diǎn)數(shù)據(jù)2).Another opposite/dissimilar trend appears that 主題項(xiàng)2s statistics ascended/dropped down markedly/moderately, from 起始數(shù)據(jù) to 終止數(shù)據(jù)，(soon afterwards incr

16、easing/declining in 時(shí)間3 to 終點(diǎn)數(shù)據(jù)2).Presenting another opposite/dissimilar tendency of increasing/decreasing, the statistics of 主題項(xiàng)2 dropped down/grew in a low speed/sharply, whose peak reached+最高值, while it touched the lowest point of+最低值, (rising/falling to 終點(diǎn)數(shù)據(jù)2 in 時(shí)間3).Distinctly, the statistics o

17、f 分項(xiàng)2 keep increasing/ declining sharply/gently, from起點(diǎn)數(shù)據(jù) in/on/at 起點(diǎn)時(shí)間 to 終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間, with a data difference of 差額 (, subsequently rising/falling to終點(diǎn)數(shù)據(jù)2 in/on/at 終點(diǎn)時(shí)間2)Dissimilarly, the statistics of 分項(xiàng)2 rises/drops substantially/in a small extent, the original point of which stayed at 起點(diǎn)數(shù)

18、據(jù) in/on/at 起點(diǎn)時(shí)間, yet its direct ending was終點(diǎn)數(shù)據(jù) in/on/at 終點(diǎn)時(shí)間(, later rising/falling to終點(diǎn)數(shù)據(jù)2 in/on/at 終點(diǎn)時(shí)間2)靜態(tài)圖The total part of the graph/table is composed of _ different parts, in which the first figure is about A and covers +數(shù)據(jù)1, compared with that of B, whose ratio is 數(shù)據(jù)2. Meanwhile, C has about

19、數(shù)據(jù)3, and the rest is 剩下的總和.The total part of the graph/table of 主題詞+時(shí)間/地點(diǎn) is divided into _ shares, in which A名詞 is , in comparison, the ratio of B covers , meanwhile, C consists the third part, whose figure is , and the rest is .Separated into/Consisting of _ different shares, the whole part of the

20、 graph/table has its first figure of A, whose number is+數(shù)據(jù)1, whereas B covers a smaller proportion of only+數(shù)據(jù)2, simultaneously, C constitutes a relatively lower ratio, the number of which is just 數(shù)據(jù)3, leaving the rest of 剩下的總和.Being comprised of _ different shares, the graph/table contains the data

21、of 分項(xiàng)1, covering a ratio of 數(shù)據(jù)1, compared with 分項(xiàng)2, whose proportion amounts to 數(shù)據(jù)2, while after these appears that of 分項(xiàng)3, with roughly 數(shù)據(jù)3, and in succession remains the rest/D, accounting for 剩余的總和.Composed of _ totally different shares, the graph/table has the first part presenting the data of 分

22、項(xiàng)1, accounting for approximately 數(shù)據(jù)1, after which 分項(xiàng)2 has a ratio of 數(shù)據(jù)2, whereas the statistics/percentage of 分項(xiàng)3 covers數(shù)據(jù)3, leaving the rest/分項(xiàng)4 following closely, which is 剩余的總和.第二段 分析現(xiàn)象一、第一句Through judging and analyzing the picture, we can easily draw a conclusion that 主題詞 exerts great influence

23、 on us/our society.The intention of the drawing can be inferred from it that 主題詞 plays a vital function in our modern society in recent years.With careful analysis and thinking about the picture, we reach a well-founded conclusion that 主題詞, being extremely indispensable, play a necessary part in our

24、 life/country.Merely a picture as the drawer/photographer portrays, the inherent meaning lies at its back that 主題詞s cannot be emphasized too much.Through the outer appearance displayed here, the inward thought could be concluded that 主題詞 should be paid close attention to.The inward thought conveyed

25、by the drawer, it is 主題詞 that we should lay great emphasis on for the sake of its role exerted on our daily life/modern society.Since the intrinsic meaning hidden behind the picture is quite evident, the drawer intends to appeal to us to concentrate more on 主題詞, whose importance we should never turn

26、 a blind eye to.However complex the picture is, what the drawer/photographer really wishes to show is his emphasis on the significance of 主題詞 being an essential part of our daily life/modern society.Whatever the picture tries to convey or however varied its form is, the essence lies in it that we sh

27、ould never turn a deaf ear to the extreme importance of 主題詞.Whatever appearance the picture wishes to show, its real aim is to convey the weight of 主題詞 to which we should attach great importance. 二、第二句+第三句萬能理由1：經(jīng)濟(jì)發(fā)展With the economic growth and boom, and hence the fierce competitions in their wake, 主

28、題詞 gives impetus to the progress of a nation/an individual.Owing to the prosperity of economy, as well as the flourishing of our society, 主題詞, which promotes one individuals/nations progress, plays an active role.Along with the economic progress and boom, as well as relentless competitions that foll

29、ows, 主題詞 exerts profound and lasting influence on the growth of a nation/an individual.With the flourishing economy, accompanied by life changes in every area, which caused fierce and endless competitions, 主題詞, providing powers for the development of an individual/a nation, is of paramount importanc

30、eWith economy flourishing constantly and bringing about life changes in every area, the ceaseless competitions makes 主題詞 the driving force to promote the development of an individual/a nation, whose importance can never be ignored.With economy development, social progress and life changes being incr

31、easingly widespread, 主題詞 acts as a driving force for whoever wishes to live in such a competitive society/for whatever countries to survive in such a competitive world.Due to rapid economy development along with social progress, followed by life changes which get more and more popularized, 主題詞 has b

32、rought power for the growth of a nation/an individual.With economy development, social progress and life changes being increasingly frequent, 主題詞 plays a key role for an individual/a nation to survive and develop in such fierce competitions that we must face bravely.With the rapid economy developmen

33、t followed by globalization and modernization, which gives rise to life changes in all fields, 主題詞, whatever circumstance we may face, facilitates the growth and progress of an individual/a nation.With unprecedented economy development, rapid social progress, it is 主題詞 that can boost the development

34、 of an individual/a nation, whereby one/it can have a growth sharper than expected.萬能理由2：社會(huì)變化Huge changes emerge constantly in our modern society, every part of which are thus modified, such as 現(xiàn)象, resulting in positive/negative consequence.In present age emerge transformation of society, leading to

35、 the change of every field in our daily life, hence 現(xiàn)象 follows this while bringing benefits/doing harm.The transformation occurring in our society has brought further changes taking place in every relevant part of our life, showing the reason why 現(xiàn)象 arose.With the reform and opening-up policy, Chine

36、se society has encountered deep transformation during these years, thus every related field is affected with 現(xiàn)象 emerging here, working positively/negatively.The transformation of society occurring in the wake of reform and opening-up policy results in changes in the chain in various areas, such as 現(xiàn)

37、象, exerting positive/negative influence.The surrounding environment of our society has changed a lot since reform and opening-up policy, after which some aspects are Our living environment is confronted with diverse changes, while simultaneously, every section of our society is also affected in thei

38、r wake, such as 現(xiàn)象, which brings favorable/unfavorable effect.Sharp changes have gone deep into every corner of our society, giving rise to the chain reactions in our surroundings, with 現(xiàn)象 taking place and resulting in positive/negative effect.The reform and opening-up policy has hugely modified the

39、 outer and inner environment of China and its relations to the world, thus corresponding phenomena related to every area of society emerged, such as 現(xiàn)象, with its positive/negative results.Many issues are involved during the transformation of society in the outer and inner environment, where huge cha

40、nges take place in every corner, such as 現(xiàn)象, leading to positive/negative consequence.萬能理由3：傳統(tǒng)教育Traditional education, with its own advantages, also has some serious drawbacks, leading to lack of notion of 主題詞, which knowledge education could not reach.Traditional education focuses too much on basic

41、 knowledge, whereas it failing in taking every aspect into consideration, thus 主題詞 is lacked in individuals notions.The limitation of traditional education constrains overall development of individuals while affecting their notions in particular, hence the lack of 主題詞.Traditional education attaches

42、importance to basic knowledge and test scores, with its serious drawbacks of ignoring overall education, especially in spiritual or thinking fields, causing the lack of notion of 主題詞.Due to the imperfectness and some drawbacks of traditional education, the training and education of individuals are lopsided, thus, individuals are facing the absence of 主題詞.The education system being imperfect, individuals would not develop themselves in a reasonable mode, while the formation of drawbacks affects them in some certain fields, particularly the lack of notion of 主題詞.The deformity of tradit