1、American Dream: American dream means the belief that everyone can succeed as long as he/she works hard enough. It usually implies a successful and satisfying life. It usually framed in terms of American capitalism（資本主義） , its associated purported meritocracy,（知識界精華） and the freedoms guaranteed by th

2、e U.S. .Transcendentalism 超驗主義 : Transcendentalism was a group of new ideas in literature, religion, culture and philosophy that emerged in in the early to middle 19th century. Transcendentalists spoke for cultural rejuvenation and against the materialism of American society. It placed emphasis on s

3、pirit, or the Over soul, as the most important thing in the world. It stressed the importance of individual and offered a fresh perception nature ad symbolic of the spirit of God. Prominent transcendentalists included Ralph Waldo Emerson and Henry David Thorough.American Naturalism 自然主義 : American n

4、aturalism was a new and harsher realism. The naturalists attempt to achieve extreme objectivity and frankness, presenting characters of low social and economic classes who were determined by environment and heredity. It emphasized that the world was amoral, the men and women had no free will, that l

5、ives were controlled by heredity and environment, that the destiny of humanity was misery in life and oblivion in death. The pessimism and deterministic ideas naturalism pervaded the works of such American writers as Stephen Crane and Theodore Dreiser.The Gilded Age鍍金時代 : the Gilded Age refers to th

6、e era of rapid economicand population growth in theduring the post- and post- of the late . The term"Gilded Age" was coined byandin their 1873 book, .The Gilded Age is mostfamous for the creation of a modern industrial economy. The end of the Gilded Agecoincided with the , a deep depressio

7、n. The depression lasted until 1897 and markeda major political realignment in the . After that came the .The Lost Generation: The Lost Generation is a group of expatriate Americanwriters residing primarily induring the 1920s and 1930s. The group was given itsname by the American writer Gertrude Ste

8、in, who used“ a lost generationto expatriate Americans bitter about their World War I experiences and disillusioned1 / 8with American society. Hemingway later used the phrase as an epigraph for his novel The Sun Also Rises. It consisted of many influential American writers, including Ernest Hemingwa

9、y, F. Scott Fitzgerald, William Carlos Williams and Archibald MacLeish.The Lost Generation(迷惘的一代）： The lost generation is a term first used by Stein to describe the post-war I generation of American writers:men and women haunted by a sense of betrayal and emptiness brought about by the destructivene

10、ss of the war.2>full of youthful idealism, these individuals sought the meaning of life, drank excessively, had love affairs and created some of the finest American literature to date.3>the three best-known representatives of lost generation are F.Scott Fitzgerald, Hemingway and John dos Passo

11、s.Beat Generation 垮掉的一代 : group of American writers of the 1950s whose writing expressed profound dissatisfaction with contemporary American society and endorsed an alternative set of values. The term sometimes is used to refer to those who embraced the ideas of these writers. The Beat Generation

12、9;s best-known figures were writers Allen Ginsberg and Jack Kerouac.The Beat Generation(垮掉的一代 ):The members of The Beat Generation were new bohemian libertines. Who engaged in a spontaneous, sometimes messy, creativity.2> The Beat writers produced a body of written work controversial both for its

13、 advocacy of non-conformity and for its non-conforming style.3> the major beatwritings are Allen Ginsberg s howl.Howl became the manifesto of The Beat Generation.Free Verse自由詩體 : free verse is poetry that has an irregular rhythm and line length and that attempts to avoid any predetermined verse s

14、tructure, instead, it uses the cadences of natural speech. While it alternates stressed and unstressed syllablesas stricter verse form do, free verse dose so in a looser way. Walt Whitman is an example of free verse.Confessional Poetry自白詩 : it is a type of modern poetry in which poets speak with ope

15、nness and frankness about their own lives, such as in poems about illness, sexuality and despondence. Robert Lowell, Sylvia Plath and Allen Ginsberg and Theodore Roethke are the most important American poets.2 / 8Imagism 意象派 : The 1920s saw a vigorous literary activity in . In poetry there appeared

16、a strong reaction against Victorian poetry. Imagists placed primary reliance on the use of precise, sharp images as a means of poetic expression and stressed precision in the choice of words, freedom in the choice of subject matter and form, and the use of colloquial language. Most of the imagist po

17、ets wrote in free verse, using such devices as assonance and alliteration rather than formal metrical schemes to give structure to their poetry.The movement which had these as its aims is known in literary history as Imagism. Its prime mover was Ezra Pound.Irony: a contrast or an incongruity between

18、 what is stated and what is really meant, or between what is expected to happen and what actually happens in drama and literature. There are types of irony: verbal irony, dramatic irony and irony of situation. Irony of situation typically takes the form of a discrepancy between appearance and realit

19、y, or between what a character expects and what actually happens. Both verbal and irony of situation share the suggestion of a concealed truth conflicting with surface appearances.Allusion: A reference to a person, a place, an event, or a literary work that a writer expects the reader to recognize a

20、nd respond to. An allusion may be drawn from history, geography, literature, or religion.Satire 諷刺 : A kind of writing that holds up to ridicule or contempt the weaknesses and wrongdoings of individuals, groups, institutions, or humanity in general. The aim of satirists is to set a moral standard fo

21、r society, and they attempt to persuade the reader to see their point of view through the force of laughter.Symbol: A symbol is a sign which suggests more than its literal meaning. In other words, a symbol is both literal and figurative. A symbol is a way of telling a story and a way of conveying me

22、aning. The best symbols are those that are believable in the lives of the characters and also convincing as they convey a meaning beyond the literal level of the story. If the symbol is obscure or ambiguous, then the very obscurity and the ambiguity may also be part of the meaning of the story.Strea

23、m of consciousness(意識流 )(or interior monologue);In literary criticism, Stream of consciousness denotes a literary technique which seeks to describe an individual s point of view by giving the written equivalent of the character3 / 8processes. Stream of consciousness writing is strongly associated wi

24、th the modernistmovement. Its introduction in the literary context, transferred from psychology, isattributed to May Sinclair. Stream of consciousness writing is usually regarded as aspecial form of interior monologue and is characterized by associative leaps in syntaxand punctuation that can make t

25、he prose difficult to follow,tracing as they do acharacter s fragmentary thoughts and sensory feelings.famous writers to employ thistechnique in the english language include James Joyce and William Faulkner.American realism ：（ xx 現實主義） Realism was a reaction against Romanticism and paved the way to

26、Modernism; 2).During this period a new generation of writers, dissatisfied with the Romantic ideas in the older generation, came up with a new inspiration. This new attitude was characterized by a great interest in the realities of life. It aimed at the interpretation of the realities of any aspect

27、of life, free from subjective prejudice, idealism, or romantic color. Instead of thinking about the mysteries of life and death and heroic individualism, people attention was now directed to the interesting features of everyday existence, to what was brutal or sordid, and to the open portayal of cla

28、ss struggle;3) so writers began to describe the integrity of human characters reacting under various circumstances and picture the pioneers of the far west, the new immigrants and the struggles of the working class; 4) Mark Twain Howells and Henry James are three leading figures of the American Real

29、ism.Local Colorism(鄉土文學 )：Generally speaking, the writings of local colorists are concerned with the life of a small, well-defined region or province. The characteristic setting is the isolated small town. 2) Local colorists were consciously nostalgic historians of a vanishing way of life, recorders

30、 of a present that faded before their eyes. Yet for all their sentimentality, they dedicated themselves to minutely accurate descriptions of the life of their regions, they worked from personal experience to record the facts of a local environment and suggested that the native life was shaped by the

31、 curious conditions of the local. 3) major local colorists is Mark Twain.A Jazz age(爵士時代 ):The Jazz Age describes the period of the 1920s and 1930s, the years between world war I and world war II. Particularly in . With the rise of the great depression, the values of this age saw much decline. Perha

32、ps the most4 / 8representative literary work of the age is American writer Fitzgeralde GreatGatsby. Highlighting what some describe as the decadence and hedonism, as well as the growth of individualism. Fitzgerald is largely credited with coining the term Age”.Feminism(女權主義 ): Feminisim incorporates

33、 both a doctrine of equal rights for women and an ideology of social transformation aiming to create a world for women beyond simple social equality.2>in general, feminism is ideology of women liberation based on the belief that women suffer injustice because of their sex. Under this broad umbrel

34、la various feminisms offer differing analyses of the causes, or agents, of female oppression.3> definitions of feminism by feminists tend to be shaped by their training, ideology or race. So, for example, Marxist and socialist feminists stress the interaction within feminism of class with gender

35、and focus on social distinctions between men and women. Black feminists argue much more for an integrated analysis which can unlock the multiple systems of oppression.Hemingway Code Hero(xx式 xx): Hemingway Code Hero ,also called code hero, is one who, wounded but strong more sentitive, enjoys the pl

36、easures of life( sex, alcohol, sport) in face of ruin and death, and maintains, through some notion of a code, an ideal of himself.2> barnes in the sun also Rises, henry in a Farewell to arms and santiago in the old man and the sea are typical of Hemingway Code HeroImpressionism(印象主義 ):Impression

37、ism is a style of painting that gives the impression made by the subject on the artist without much attention to details. Writers accepted the same conviction that the personal attitudes and moods of the writer were legitimate elements in depicting character or setting or action.2>briefly, it is

38、a style of literature characterized by the creation of general impressions and moods rather that realistic mood.multiple points of view （多視角）： Multiple Point of View: It is one of the literary techniques William Faulkner used, which shows within the same story how the characters reacted differently

39、to the same person or the same situation. The use of this technique gave the story a circular form wherein one event was the center, with various points of view radiating from it. The multiple points of view technique makes the reader recognize the difficulty of arriving at a true judgment.5 / 8Conf

40、essional poetry ：Confessional poetry emphasizes the intimate, and sometimes unflattering, information about details of the poet's personal life, such as in poems about illness, sexuality, and despondence. The confessionalist label was applied to a number of poets of the 1950s and 1960s. John Ber

41、ryman, Allen Ginsberg, Robert Lowell, Sylvia Plath, Theodore Roethke, Anne Sexton, and William De Witt Snodgrass have all been called 'Confessional Poets'. As fresh and different as the work of these poets appeared at the time, it is also true that several poets prominent in the canon of Wes

42、tern literature, perhaps most notably Sextus Propertius and Petrarch, could easily share the label of "confessional" with the confessional poets of the fifties and sixties.Dramatic Conflict： At least not the special kind of conflict that drives plays, the gas that fuels the dramatic engine

43、. Arguments in real life are usually circular - nobody gets anywhere, except a little steam's been blown off. And they're boring for everyone except the folks doing the yelling.Dramatic Conflict draws from a much deeper vein, rooted in the Subtext of your central characters. It's driven

44、by fundamentally opposing desires.Conflict is a necessary element of fictional literature. It is defined as the problem in any piece of literature and is often classified according to the nature of the protagonist or antagonist 。Confessional poetry(自白派詩歌 )：designates a type of narrative and lyricver

45、se, given impetus by Robert Lowell s Life Studies, thwhichthe factsdealsandwiintimate mental and physical experiences of the poet s own life. Confessionwas written in rebellion against the demand for impersonality by T. S. Elliot and the New Criticism. The representative writers of confessional scho

46、ol include Robert Lowell, Anne Sexton and Sylvia Plath and so on.無韻詩： blank verse 一譯 " 素體詩 "。英語 xx 的一種。每行用五個長短格音步十個音節組成，每首行數不拘，不壓韻。自由詩： free verse 詩歌的一種。語言不講究格律，詩的段數、行數、字數也沒有固定規格，但要有節奏，押大致相近的韻。 xx 詩人 xx 為創始人。詩歌賞析6 / 82. In a Station of the Metro" is an Imagist poem by Ezra Pound. The

47、poem attempts to describe Pound's experience upon visiting an underground metro station in Paris in 1912, and Pound suggested that the faces of the individuals in the metro were best put into a poem not with a description but with an "equation". Because of the treatment of the subject&

48、#39;s appearance by way of the poem's own visuality, it is considered a quintessential 精粹的 Imagist text. The poem is essentially a set of images that have unexpected likeness and convey the rare emotion that Pound was experiencing at that time. Arguably the heart of the poem is not the first lin

49、e, nor thesecond, but the mental process that links the two together. "In a poem of this sort,"as Pound explained, "one is trying to record the precise instant when a thing outwardand objective transforms itself, or darts into a thing inward and subjective." Thisdarting takes pla

50、ce between the first and second lines. The pivotal關鍵的 semi-colon has stirred debate as to whether the first line is in fact subordinate to thesecond or both lines are of equal, independent importance. Pound contrasts thefactual, mundane image that he actually witnessed with a metaphor from nature andthus in