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UNITONETHETEMPTATIONOFARESPECTABLEWOMAN
UNDERSTANDINGSHORTCONVERSATIONS
1.M:What’syourfamilylike,Emma
W:Well.myparentsareseparated,butmyfatherlivesnearus.Mymotherisamiddleagedwoman.Sheworksasachemicalengineerforadrugcompany.
Q:HowdoEmma’sparentsgetalong
2.W:Ihavetogodowntowntomorrowmorningtohavemyspringdressesfitted.
M:Don’tyouhaveotherclothestowear
W:No.noneofthemfit,andIcan’tevenbuttonupmydresses.IthinkIneedsomenewclothes.
M:Maybeyoushouldfirstthinkaboutdoingmoreexercisesandlosingweightandthenworryaboutyournewclothes.
Q:Whatdoesthemansuggestthewomando
3.M:RoberttalksagreatdealaboutmovingfromhispresenthomeinNewYorktoaplantationintheSouth.
W:Butthatisthesamethinghehasbeensayingsincehemovedtheresixyearsago.
Q:Whatcanwelearnfromtheconversation
4.W:Howlonghasyourfriendbeenatyourhome
M:About10days.
W:Didhehaveagoodtime
M:Yeah.Itseemedasifhejustgotherewhenitwastimeforhimtosaygood—bye.
W:Itiscertainlyapleasuretoseehimagainandrenewoldmemories.
M:Well.wetalkedaboutcollegedayswhenwehadbeenbestfriends,andwhenweusedtohaveSOmanyambitions.
Q:Whatcanbelearnedaboutthemanandhisfriend
5.W:WhathappenedtoyouYoulookreallyhappy.
M:Mywifevoluntarilyproposedtoinvitemybestfriendtoourfamilyparty.
W:Didn’tyourwifelikeyourfriend
M:No,atfirstshefoundhimaterriblenuisance,butshehasfinallyovercomeherdislikeforhim.
Q:Whatdoesthemanmean
6.M:Soyouhavefinallydecidedtoendyourteachingcareer,Lucy
W:Yes.Ithasbeendrivingmecrazy.Myhealthdoesn’tpermitmetocopewithsuchaheavyworkloadatthemoment.That’swhyIdecidedtogotoAustraliatotakearest.
M:Oh.Isee.Sothat’swhyyou’vebeensoquietrecently.Yourperiodsofsilencewerenotyourbasicnature,buttheresultofmoods.Youreallyneedachange.
Q:Whatcanweknowaboutthewoman
7.M:IheardjustlastweekthatVickyhadgotmarried.
W:VickymarriedIcan’tbelieveit!Rememberhowshealwayssaidthatmarriagewasn’therchoice
M:ButIalsoheardthatVickyleftherhusband,justtwodaysaftertheirmarriage.
W:What
M:Whenherhusbandaroseinthemorning,Vickyhadalreadygone,withoutevensayingfarewell.Aporterhadcarriedhertrunktothestationandshehadtakenallearlymorningtraintoanothercity.
Q:WhatcanwelearnaboutVickyfromtheconversation
8.W:Doyouknowwhothatmanis
M:Whichone
W:Theoneincasualclothes.
M:Oh,that’sDavidSmith.He’stheonewhojustmovedintotheapartment.
W:Oh,reallyHelookskindofinteresting.
Q:WhatdoesthewomanthinkofDavidSmith
9.W:DoyouknowanythingaboutHenry
M:Thatnamesoundsfamiliar.butI’mnotsure.
W:He’sfromNewZealand.HeworksforIBM.
M:HaveyouspokentohimWhat’shelike
W:Heseemstobeaveryniceman.He’sveryfriendlyandhe’sgotagoodsenseofhumor.
Theysayhe’samanofwit.
0:whatcanbelearnedaboutHenry
10.M:DidyouhearthatMr.andMrs.BrownwenttoSingaporeforavacationlastmonth
W:Yeah.Didtheyenjoythemselves
M:It’shardtosay.Whentheygotthere.theycouldn’tgetaroominagoodhotel.
W:That’stoobad.Buttheyreallyshouldhavemadeareservationforaroomearlier.
Q:Whatcanbedrawnfromtheconversation
11.M:YouknowMartinAlthoughwe’vebeeninthesameofficeformanyyears.I’veneverbeenabletofigurehimout.
silenceinwhichhehasunconsciouslycoveredhimself,but...
Q:Whatdoesthemanmean
12.W:Haveyoumadeyourpeacewithyourwifeyet
M:I'vecertainlytried,butsherefusedtotalktomelastnight.AndwhenIarosethismorning,shehadalreadyleftforheraunt's.
W:Whenwillshereturn
M:Haven'ttheslightestidea.
Q:Whathappenedbetweenthemanandhiswife
13.M:Whatisitliketolivehere
W:It'sterrible.ItusedtobequieterwhenIwenttoschoolhere.IstillrememberthatIoftensataloneonthebenchthatstoodbeneathanoaktreeattheedgeofthetrail.
M:Andnothingdisturbedyou
W:Yeah.Beingalonethere,mythoughtsquicklyflewthiswayandthat.
Q:Whatdoesthewomanimply
14.W:Whenmyhusband'sfriendBobvisitedus,Ijustleftthemaloneforthemostpart.
M:Why
W:BecausehewassodifferentfromotherpeopleandIcouldn'tunderstandhim.
M:Didhenoticeyourabsence
W:No,hedidn't.Sometimes1imposedmycompanyuponhim,accompanyinghiminhisidlewalkstothemill.
M:Didhewantyoutoaccompanyhim
W:No,thatwasthelastthinghewoulddesire.
Q:Whatdoesthewomanmean
15.W:Peterisaquietboy.Heseldomsaysathing.
M:Well,letmetellyou.HisbrotherTomisjusttheopposite.
Q:WhatkindofapersonisTom
16.M:Doyouoftenseeourfellowstudents
W:IdidforawhileuntilIleftuniversity,butafterthatnotreally.
M:Yeah,I'velosttouchwithmostpeopleaswell,butIstillseePeggyoccasionally.
W:Oh,yeah.How'sshegettingon
M:Ok,Isuppose,butshe'shadaroughtimeinthelastfewyears.Shegotdivorced.
Q:Whomdothemanandwomantalkabout
17.M:DidyouhearaboutMrs.Baroda
W:Yes,Idid.Shewasa~uprightandrespectablewoman.Shewasalsoverysensible.It'sapitythattheworldhaslostagreatmoderndancer.
Q:WhathappenedtoMrs.Baroda
18.W:Whenisyourfriendgoing
M:Notforaweekyet,dear.Idon'tunderstandwhyyouaskmyfriendtoleaveourhouse.Actuallyhegivesyounotrouble.
W:No.Ishouldlikehimbetterifhedid;ifheweremoreliketheothers,Icouldplansomewhatforhiscomfortandenjoyment.
M:Hejustcameheretotakearest,sopleasedon'tmakeafussoverhim.
W:Fuss!Nonsense!Howcanyousaysuchathing
Q:Whatcanbeconcludedfromtheconversation
19.M:Oh,it'syou,Mrs.Johnson.Comeinandsitdown.Now,whatwasitOh,yes,yourleg.Hastherebeenanyimprovementsincelastweek
W:Well,no.I'mafraidnot,doctor.It'sstillthesame.
M:I'dbetterhaveanotherlookatit.Hmm!Stillveryswollen.Haveyoubeenrestingit,asItoldyouto
W:It'ssodifficulttorestit;doctor,youknow,withahousetorun,andsixchildrenand...
Q:Whatmadeitdifficultforthewomantofollowtheman'sadvice
20.M:YouareverynicetomeandI'vehadadelightfultime.Ireallyappreciateyourinvitingmehereandspendingsomuchtimeshowingmearound.
W:Oh,itwasfunforme,too.Itgavemeachancetogetawayfromroutineanddosomethingalittlebitdifferent.
Q:Whathavethespeakersbeendoingtogether
Key:1.(A)2.(C)3.(A)4.(C)5.(B)
6.(A)7.(B)8.(B)9.(D)10.(A)
11.(C)12.(C)13.(A)14.(B)15.(D)
16.(C)17.(D)18.(B)19.(C)20.(D)
UNDERSTANDINGLONGCONVERSATIONS
(Emma,BillandTimaretalkingaboutfriendship.)
Emma:Howimportantarefriendstoyou,Bill
Bill:I'veneverhadalotoffriends.I'veneverregardedthemasparticularlyimportant.Perhapsthat'sbecauseIcomefromabigfamily--twobrothersandthreesisters,andlotsofcousins.That'swhat'sreallyimportanttome.Myfamily.Thedifferentmembersofmyfamily.Ifyoureallyneedhelp,yougetitfromyourfamily,don'tyouWell,atleastthat'swhatI'vealwaysfound.Whataboutyou,Emma
Emma:Tomefriendship..,havingfriends..,peopleIknowIcanreallycounton...tomethat'sthemostimportantthinginlife.It'smoreimportanteventhanlove.Ifyoulovesomeone,youcanalwaysfalloutofloveagain,andthatcanleadtoalotofhurtfeelings,bitterness,andsoon.Butagoodfriendisafriendforlife.
Bill:Andwhatexactlydoyoumeanbyafriend
Emma:Well,I'vealreadysaid,someoneyouknowyoucancounton.IsupposewhatIreallymeanis...Mm...let'ssee,howamIgoingtoputthis..,it'ssomeonewhowillhelpyouifyouneedhelp,who'lllistentoyouwhenyoutalkaboutyourproblems..,someoneyoucantrust.Whatdoyoumeanbyafriend,Tim
Tim:Someonewholikesthesamethingsasyoudo,whomyoucanarguewithandnotloseyourtemper,evenifyoudon'talwaysagreewithhim.Imeansomeoneyoudon'thavetotalktoallthetimebutcanbesilentwith,perhaps.That'simportant,too.Youcanjustsittogetherandnotsayverymuchsometimes.Justrelax.Idon'tlikepeoplewhotalkallthetime.
Questions1to5arebasedontheconversationyouhavejustheard:
1.WhatdoesBillthinkoffriends
2.WhomdoesBillusuallyturntowhenherunsintodifficulties
3.WhatdoesfriendshipmeantoEmma
4.AccordingtoEmma,whatmayloveleadto
5.WhatkindofpeopledoesTimliketomakefriendswith
Conversation2
W:Youknow,itdoesn'tlooklikeyou'vecleanedthelivingroom.
M:No,Ihaven't.Ugh.Ihadtheworstday.Iamsotired.Look,IpromiseI'lldoitthisweekend.
W:Listen,Iknowthefeeling.I'mtired,too.ButIcamehomeandIdidmyshareofthehousework.Imean,that'stheagreement,right
M:Allright.Weagreed.I'lldoitinaminute.
W:Comeon.Don'tbethatway.Youknow,Ishouldn'thavetoaskyoutodoanything.Imean,webothwork,webothliveinthehouse,weagreedthathouseworkis...isbothofourresponsibility.Idon'tliketohavetokeepremindingyouaboutit.
M:What'sthematterwithyoutodayYouaredispleased.
W:It'sus.
M:Whatdoyoumeanby"us"
W:Well,weusedtotalktoeachotherbeforeweweremarried.Remember
M:WhatdoyoumeanWe'retalkingnow,aren'twe
W:Oh,yes,butweusedtodosomuchtogether.
M:Westillgotothecinematogether,don'twe
W:Yes,butweusedtogooutforwalkstogether.Remember
M:Ofcourse,Ido.
W:Andweusedtodosillythings,likerunningbarefootthroughthepark...
M:Yes.Iusedtocatchterriblecolds.Honestly,youarebeingtotallyridiculous.
W:Butweneverargued.YouusedtothinkIwaswonderful.Once...(soundofthedooropening)Whereareyougoing
M:Backtolivewithmyparents.That'ssomethingelseweneverusedtodobeforeweweremarried.Remember
Questions6to10arebasedontheconversationyouhavejustheard.
6.Wheredoestheconversationmostprobablytakeplace
7.Whatistheagreementbetweenthemanandthewoman
8.Whataretheydoingnow
9.Howdoesthemanreacttothewoman'scomplaints
10.Whatwillthemando
Key:
Conversation1:1.(C)2.(A)3.(B)4.(A)5.(D)
Conversation2:6.(C)7.(A)8.(A)9.(B)10.(D)
UNDERSTANDINGPASSAGES
ListeningTask1Passage1
PeterandRhodaweregoingsteadyfortwoyears.Everyonethoughttheyweregoingtogetmarried.Oneeveningwhiletheywereeatinginarestaurant,PetersaidtoRhoda:
"Youknow,Rhoda,you'retheonlygirlIreallyknowwell.Wearebothveryyoung,andIthinkwemusttrytomakenewfriendsandhavenewexperiences.Ifwestillloveeachotherafterallthat,thenwecangetmarried."
"That'strue,isn'titButIdon'twanttostopourrelationship,doyouWecanseeeachother,can'twe"
"No,Rhoda,notforawhile."
"Iguessyou'reright,butI'mgoingtomissyouverymuch."
"I'mgoingtomissyou,too,Rhoda."
Themonthspassed.RhodaandPeterwereverylonely.Rhodafinallydecidedtotryacomputerdatingservice.Shefilledoutanapplicationwhichstatedwhatshelikedinaperson.Soonthephonerang.ItwasAndreLegroswhoreceivedhernamefromthecomputerservice.Theyarrangedtomeetthateveningforcoffee.WhileshewaswaitingforAndre,Petercamein.Sheaskedhim:
"Whatareyoudoinghere"
"Well,IhaveablinddatefortonightwithagirlnamedAprilMay.It'sacomputermatch.Whatareyoudoinghere"
"I'mwaitingformyblinddate.HisnameisAndreLegros."
Afterafewminutesofawkwardsilence,Rhodabegantolaugh.Shesaid:
"I'mAprilMay."
Peterlookedsurprised.Afteramoment,hesaid:
"AndI'mAndreLegros.Thiswasnomismatch,wasitItwasmeanttobe."
Questions1to5arebasedonthepassageyouhavejustheard:
1.HowmanyyearswerePeterandRhodagoingsteady
2.Whatdidtheydecidetodooneevening
3.WhydidRhodatryacomputerdatingservice
4.HowdidPeterandRhodafeelwhentheyfirstknewthetruth
5.Whatcanbeinferredfromthepassage
Passage2
George'smotherwasworriedabouthim.Oneevening,whenherhusbandcamehome,shespoketohimaboutit.
"Look,dear,"shesaid,"youmusttalktoGeorge.Heleftschoolthreemonthsago,buthestillhasn'tgotajob,andheisn'ttryingtofindone.Allhedoesissmoke,eatandplayrecords."
George'sfathersighed.Ithadbeenaverytiringdayattheoffice.
"Allright,"hesaid,"I'11talktohim."
"George,"saidGeorge'smother,knockingatGeorge'sdoor,"yourfatherwantstospeaktoyou."
"Oh!"
"Comeintothesittingroom,dear."
"Hello,oldman,"saidGeorge,whenGeorgeandhismotherjoinedhiminthesittingroom.
"Yourfather'sveryworriedaboutyou,"saidGeorge'smother."It'stimeyoufoundajob."
"Yes,"repliedGeorgewithoutenthusiasm.
George'smotherlookedatherhusband.
"Anyideas"heaskedhopefully.
"Notreally,"saidGeorge.
"Whataboutajobinabank"suggestedGeorge'smother,"oraninsurancecompany,perhaps"
"Idon'twantanofficejob,"saidGeorge.
George'sfathernoddedsympathetically.
"Well,whatdoyouwanttodo"askedGeorge'smother.
"I'dliketotravel,"saidGeorge.
"Doyouwantajobwithatravelfirmthen"
"Thetroubleis,"saidGeorge,"Idon'treallywantajobatthemoment.I'djustliketotravelandseeabitoftheworld."
George'smotherraisedhereyestotheceiling."Igiveup,"shesaid.
Questions6to10arebasedonthepassageyouhavejustheard:
6.WhatdidGeorge'smotheraskhisfathertodo
7.HowdidGeorge'sfatherfeelafteraday'swork
8.WhendidGeorgeleaveschool
9.WhatdidGeorgewanttodoaftergraduation
10.Whatcanbeconcludedfromthepassage
Passage3
IfyoulistentoAmericanmusic,watchAmericantelevisionormagazines,youwillprobablyagreethatthemostpopularsubjectoftheseformsofentertainmentislove.RomanticlovealwaysfindsanaudienceintheUnitedStates.Fallinginlove,solvingtheproblemsoflove,andachievingthehappyending--thebigweddingaresubjectsofinteresttotheadultaswellastheteenagepublic.MillionsofAmericanscelebrateValentine'sDaywithspecialcardsandgiftsthatannouncetheirlovetotheirmates,theirfriends,theircoworkers,andtheirfamilies.Popularsongstellusthat"alltheworldlovesalover".Apopularsayingis"Loveconquersall".Numerouscolumnsinmagazinesandnewspapersofferadvicetothelovelorn,thosewithdifficultiesoftheheart.TomostAmericans,romanticloveiscentraltoahappylife.
NotonlydoAmericansbelieveinromanticlovebuttheyalsobelievethatitisthebestbasisformarriage.DespitethehighdivorcerateintheUnitedStates,youngmenandwomencontinuetomarryonthebasisofromanticlove.Americansconsidermarriageaprivatearrangementbetweenthetwopeopleinvolved.YoungAmericansfeelfreetochoosetheirownmarriagepartnersfromanysocial,economic,orreligiousbackground.Themanorwomanmayhavestrongtieswithparents,brothers,orsisters,butwhenheorshefallsinlove,thestrongestfeelingsaresupposedtobeforthelovedone.WhenanAmericancouplemarries,theygenerallyplantoliveapartfrombothsetsofparentsandbuildtheirownindependentfamilystructure.
Questions11to15arebasedonthepassageyouhavejustheard:
11.Whatisthemostpopularsubjectofallformsofentertainment
12.Whoisinterestedinthesubjectoflove
13.WhatdomostAmericansthinkofromanticlove
14.WhatfactorsdoyoungAmericansconsiderwhenchoosingtheirownmarriagepartners
15.WhatdoesanAmericancoupleplantodowhentheymarry
Passage4
"Family"isofcourseanelasticword.ButwhenBritishpeoplesaythattheirsocietyisbasedonfamilylife,theyarethinkingof"family"initsnarrow,peculiarlyEuropeansenseofmother,fatherandchildrenlivingtogetheraloneintheirownhouseasaneconomicandsocialunit.Thus,everyBritishmarriageindicatesthebeginningofanewandindependentfamily--hencethegreatimportanceofmarriageinBritishlife.Forboththemanandthewoman,marriagemeansleavingone'sparentsandstartingone'sownlife.Theman'sfirstdutywillthenbetohiswife,andthewife'stoherhusband.Hewillbeentirelyresponsibleforherfinancialsupport,andshefortherunningofthenewhome.Theirchildrenwillbetheircommonresponsibilityandtheirsalone.Neitherthewife'sparentsnorthehusband's,northeirbrothersorsisters,auntsoruncles,haveanyrighttointerferewiththem--theyaretheirownmasters.
ReadersofnovelslikeJaneAusten'sPrideandPrejudicewillknowthatinformertimesmarriageamongwealthyfamilieswasarrangedbythegirl'sparents,thatis,itwastheparents'dutytofindasuitablehusbandfortheirdaughter,preferablyarichone,andbyskillfulencouragementtoleadhimeventuallytoasktheirpermissiontomarryher.Untilthattime,thegirlwasprotectedandmaintainedintheparents'home,andthefinancialreliefofgettingridofhercouldbeseenintheirgivingthenewlymarriedpairasumofmoneycalledadowry.Itisverydifferenttoday.Mostgirlsoftodaygetajobwhentheyleaveschoolandbecomefinanciallyindependentbeforetheirmarriage.Thishashadtworesults.Agirlchoosesherownhusband,andshegetsnodowry.
Questions16to20arebasedonthepassageyouhavejustheard:
16.WhatdoesBritishmarriageindicate
17.WhatshouldthehusbandandwifedoinatraditionalBritishfamily
18.Whodecideseverythinginafamily
19.WhatcanbelearnedfromnovelslikePrideandPrejudice
20.Howdopresent-daygirlsdifferfromthoseinformertimes
Key:
Passage1:1.(B)2.(C)3.(A)4.(A)5.(D)
Passage2:6.(A)7.(B)8.(C)9.(C)10.(D)
Passage3:11.(B)12.(D)13.(A)14.(D)15.(B)
Passage4:16.(D)17.(A)18.(C)19.(B)20.(B)
UNIT2CharlieChaplin
UNDERSTANINGSHORTCONVERSATIONS
1.M:Aren'tyouwatchingthemovieonTV
W:What'sontonight
M:CharlieChaplin'sModernTimes.Haveyouseenitbefore
W:No,never.ButI'veheardofit.Soareyouwatchingit
M:It'snotuntil8.
Q:Whatdoesthemanmean
2.M:DoyouknowsomethingaboutCharlieChaplin'schildhood
W:Yes,Ido.HewasborninapoorareaofSouthLondonin1889.Hespenthischildhoodinpoorly-furnishedhouses.Heworehismother'soldredstockingscutdownforanklesocks.Hismotherwastemporarilymadandwasinandoutofmentalhospitals.
M:Howabouthisfather
W:Hewasneversurewhohisrealfatherwas.Althoughhepursuedlearningpassionatelyinlateryears,youngCharlieleftschoolat10towork.
M:Butwhenhegrewup,hemadeagreatsuccessinfilms.
Q:Whatcanbelearnedfromtheconversation
3.W:Whichdoyoulikebetter,comedyortragedy
M:Iprefercomedy.
W:Whoisyourfavoritecomiccharacter
M:ThegreatcomiccharacteroftheTrampcreatedbyCharlieChaplin.Thislittlemaninragsgavehiscreatorpermanentfame.
W:TheTrampYou'rekidding.Imeanyoucan'tbeserious.TheTramp...heisabit,well,crude.
M:Well.You'reobviouslymissingthepoint.Middle-classaudiencesinEnglandinthe1920sand1930salsothoughttheTrampabitcrude,buttheworking-classaudiencesweremorelikelytoclapforacharacterwhorevoltedagainstauthority.
Q:Whatcanwelearnfromtheconversation
4.W:WhatnationalitywastheactorDoyouknow
M:HewasBritish,butactuallyhequitBritainforgoodin1913.HejourneyedtoAmericawithagroupofperformerstodohiscomedyactonstage.
W:AndthentalentscoutsrecruitedhimtoworkforthekingofHollywoodcomedyfilms,MackSennett.
M:Yes,that'sright.InfactheismorepopularinothercountriesthaninBritain.
Q:Whatdoesthemanmean
5.M:Doyouwanttohearmynewrecord
W:Yeah,sure.Who'sitby
M:TheRollingStones.
W:TheRollingStonesOh,great.It'soneofmyfavorites.
M:Yeah,minetoo.I'mcrazyabouttheband.DidyouseetheshowonTVlastweek
W:Yeah,wasn'titgreat!Bytheway,doyouenjoygoingtoconcerts
M:That'sallright,butIlikelisteningtorecordsbetter.
Q:Whatdoesthemanthinkoftheband
6.M:Iwasterriblyembarrassedwhensomemembersoftheaudiencegotupandleftinthemiddleofit.
W:Well,maybesomepeoplejustcan'tacceptsuchatrampcharacterwhosportsatinymoustache,hugepantsortailcoats.
M:Butsuchacharacterhelpeditscreatorachieveworld-widefame.
Q:Whatdoesthemanmean
7.W:Haveyouseenthemovieaboutacollege-educatedgentlemanwhohascomedownintheworld
M:Yes.Andthemanhadmanydifferentpersonalities.
W:Thatwasaninterestingmovie!Ihopeyouenjo~:editasmuchasIdid.
M:Imustadmitthatit'sfarfrombeingmyfavoritekindofmovie.That'sforsure.
Q:Whatdoesthemanimply
8.M:Itseemsthatyou'reextremelyenthusiasticaboutthesongsandfilmsofElvisPresley.
W:Yes,Ilovehissongsverymuch.
M:Couldyoutellmewhy
W:HechangedthefaceofAmericanpopularculture.Andhewasuniqueandirreplaceable.
M:Ihonestlycan'tseewhatyou'regettingsoexcitedabout!
Q:Whatarethespeakers'attitudestowardsElvisPresley
9.W:Well,whatdoyouthinkofChalieChapin
M:YoumeanthegreatcomicHewasanimmenselycomplexman,toacertaindegree,hewasevenunusualintheranksofHollywoodstars.
W:Anditissaidthathishugefamegavehimthefreedom,andmoreimportantly,themoneytobehisownmaster.
M:That'sright.Healreadyhadtheurgetoexploreandextendatalenthediscoveredinhimselfashewentalong.
Q:Whatcanwelearnfromtheconversation
10.M:Wouldyouliketogotothemoviewithmetonight
W:Yes,I'dliketo.What'son
M:It'sGhost.
W:Oh,great!Iheardaboutthatfilmseveralyearsago.Itwasveryunusual,butIcouldn'tfindtimetoseeit.
M:DoyouknowthatthemaincharacterwasplayedbythefamousHollywoodfilmstarDemiMoore
W:Yes.ActuallythisfilmhelpedMooreachievefame.AfterthatsheisgenerallybelievedtobeoneofthetopHollywoodstars,gainingbigbox-officesuccessesoneafteranother.
Q:Whatcanbeinferredfromtheconversation
11.W:Howdidyouliketheperformance
M:Generallyspeaking,itwasverygood,butIthoughttheconductorwasabitinexperienced.
W:InexperiencedButhehaswonmanyawards.
Q:Whatdoesthewomanimply
12.M:I'vereadthereviewofthefilm.ImustsaythatIcouldn'tagreewiththecriticmore.
W:Whatdoesitsay
M:ItsaysthatChaplindidn'thavehisjokeswrittenintoascriptinadvance.
W:Really
M:Yes.Hewasthekindofcomicwhousedhisphysicalsensestoinventhisartashewentalong.ThecriticsaysthatlifelessobjectsespeciallyhelpedChaplinmake"contact"withhimselfasanartistandheturnedthemintootherkindsofobjects.
Q:Whatistheman'sreactiontothereview
13.M:Youknowsomuchaboutoldmovies.I'llbetyousawalotwhenyouwereyoung.
W:Notasmanyasyoumightthink.
M:Whatkindofmoviesdidyoulikemostatthattime
W:IlikedChaplin'smoviesmost.InthemovieThePawnbroker,abrokenalarmclockbecomesa"sick"patientundergoingsurgery;andhisfilmTheGoldRush,bootswereboiledandtheirsoleseatenwithsaltandpepperlikeprimecutsoffish.
Q:Whatcanwelearnfromtheconversation
14.M:Doyouknowwhyhiscomediesweresopopularatthattime
W:Ithinktherearesomesecrets.
M:Secrets
W:Yes.Thephysicaltransformationandtheskillwithwhichheexecuteditagainandagainaresurelythesecrets.
Q:Whatdoesthewomansayaboutthepopularityofthecomedies
15.M:HaveyoueverseenthemovieModernTimes
W:Once,Ithink.
M:ItwasthefirstfilminwhichChaplinwasheardasasingingwaiter,andhemadeupanonsenselanguagewhichsoundedlikenoknownnationality.
W:Weareusedtospeakingofthefilmsmadebefore1927as"silent",butitwasaheadacheforhimwhenhecouldnolongerresistthetalkingmovies.Hepostponedthatdayaslongaspossible.
M:UntilModernTimeswasproducedin1936.
W:Yeah.Inthisfilmhefound"therightvoice"forhiscomiccharacter--theTramp.
Q:Whatcanbeconcludedfromtheconversation
16.M:Areyousureyoucan'trememberthenameofthefilm
W:It's...it'sjustonthetipofmytongue!
Q:Whatdoesthewomansayaboutthefilm
17.W:Oh,hey,canyouturnthatupalittle
M:Sure.Doyoulikemusic
W:Oh,yes,ofcourse.
M:Whatkindofmusicdoyoulike
W:Allkinds,butmyfavoriteisjazz,bluesandrock'n'roll.
Q:Whichofthefollowingisnotthewoman'sfavoritemusic
18.W:SomeonesaidthatthetwosidesofChaplinwerereflectedinhisfilms.
M:Whatwerethetwosides
W:Ontheonehand,hehadadeepneedtobeloved,butontheotherhand,hehadacorrespondingfearofbeingbetrayed.
M:Werethetwohardtocombine
W:Yeah,andsometimes--asinhisearlymarriages--thecollisionbetweenthemresultedindisaster.Yeteventhispainfully-boughtself-knowledgefounditswayintohiscomiccreations.TheTrampneverloseshisfaithintheflowergirlwho'llbewaitingtowalkintothesunsetwithhim;whiletheothersideofChaplinmakesMonsieurVerdoux,theFrenchwifekiller,intoasymbolofhatredforwomen.
Q:WhatisimpliedaboutChaplin'searlymarriages
19.W:Couldyoutellmesomethingabouthismarriage
M:Yeah.Asacomplexandprivateman,hehadaweaknessforyounggirls.Hisfirsttwowiveswere16whenhemarriedthem.Hislast,OonaO'Neill,daughterofEugeneO'Neill,thegreatAmericandramatist,was18.
W:Sohemarriedthreetimesinhislife
M:Yes.Infact
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