Ⅰ.MultipleChoices:

1.Romanticismfightsagainsttheideasof______.

A.realismB.RenaissanceC.EnlightenmentD.feudalism

2.Themainliterarystreamis____.

A.poetryB.novelsC.proseD.periodicals

3.____hasaanothernamecalled“TheDaffodils”.

A.“TheRimeoftheAncientMariner”B.“TinternAbbey”

C.“Revolution”

D.“IWanderedLonelyasaCloud”

4.Coleridge’s_____isa“conversation”poem.

A.FrostatMidnightB.“TheRimeoftheAncientMariner”

C.Christabel

5.Byron’s____isregardedasthegreatpoemoftheRomanticAge.

A.ChildeHarold’sPilgrimageB.HoursofIdleness

C.LaraD.DonJuan

D.BiographiaLiteraria

6.PrometheusUnboundis____masterpiece.

A.Wordsworth’sB.Byron’sC.Shelley’sD.Keats’

7.____livedthelongestlife.

A.WordsworthB.Byron

8.Keats’firstpoemis____.

C.ShelleyD.Keats

A.OSolitude

C.Poems

B.OnFirstLookingintoChapman’sHomer

D.Endymion

9.Keats’bestodeis____.

A.“OnaGrecianUrn”B.“ToAutumn”

C.“ToPsyche”

10.ThebestworksofWilliamHazlittis____.

A.TheSpiritoftheAgeB.TableTalk

D.“ToaNightingale”

C.TheCharactersofShakespeare’sPlaysD.OntheEnglishPoets

11.Thepublicationof______marksthebeginningoftheRomanticMovementinEngland.

A.“TinternAbbey”

C.FrostatNight

B.LyricalBallads

D.“TheDaffodils”

12.ThePreludehasalsobeencalled_____.

A.TheLastBrazilB.TheFirstImpression

C.GrowthofaPoet’sMindD.TheSpiritoftheAge

13.Wordsworth’s“IWanderedLonelyasaCloud”hasalsobeencalled_______.

A.“TheSolitaryReaper”

B.“TheDaffodils”

C.“TheRimeoftheAncientMariner”D.“OSolitude”

14._____isconsideredWordsworth’smasterpiece.

A.ThePrelude

C.DonJuan

B.Endymion

D.BiographiaLiteraria

15.TheprosewritersintheEnglishRomanticAgedevelopedakindof_______.

A.modelsofclassicismB.familiaressay

C.rulesofneo-romanticismD.waysofmodernism

16.ThebestessayistintheEnglishRomanticAgeis_____.

A.KeatsB.WalterScottC.CharlesLambD.WilliamHazlitt

17.ThethemesofPrideandPrejudiceare_____.

A.prideandprejudice

C.loveandmarriage

B.thewriter’sownpersonalities

D.BothAandC

18._____isconsideredthefatherofhistoricalnovelistintheEnglishRomanticAge.

A.JaneAustenB.CharlesLambC.WilliamHazlittD.WalerScott

19.Lamb’swritingsarefullof______forheisespeciallyfondofoldwriters.

A.romanticismB.conversationsC.inspirations

20.Lambisaromanticistof______.

D.archaisms

A.thecityB.thecountrysideC.natureD.imagination

21._____isbasedonBoccaccio’sDecameron.

A.EndymionB.IsabellaD.HyperionD.Lamia

22.Criticsagreethat____isagreatromanticpoet,standingwithShakespeare,MiltonandWordsworthinthe

historyEnglishliterature.

A.KeatsB.WordsworthC.ColeridgeD.William

23.ThereadercangetabroadpanoramaofthesociallifeoftheEnglishRomanticAgefrom_____.

A.DunJuanB.ThePreludeC.KublaKhanD.Isabella

24.SomecriticsthinkthatsomeofByron’spoemsshowhis_____.

A.individualheroismandpessimismB.loveofnatureandoptimism

C.loveofoldwriters

D.hatredfortheimperialism

25.OneofColeridge’sbest“conventional”poemsis_____.

A.KublaKhan

C.Christabel

B.FrostatNight

D.BiographiaLiteraria

26.Coleridge’sbestliterarycriticismis_________.

A.KublaKhan

C.Christabel

B.FrostatNight

D.BiographiaLiteraria

27.____isShelley’smasterpiece.

A.Zastrozzi

B.TheNecessityofAtheism

D.PrometheusUnbound

C.QueenMab

28._____isajointbookbyCharlesLambandhissister.

A.JohnWoodvil

C.MrH

B.EssaysofElia

D.TalesfromShakespeare

29.Becauseof_______,ShelleywasexpelledfromtheOxfordUniversity.

A.TheMasqueofAnarchy

C.TheNecessityofAtheism

B.ADefenceofPoetry

D.TheTriumphofLife

30.______isShelley’sfirstbookwrittenin____.

A.Zastrozzi;Eton

B.TheNecessityofAtheism;Italy

D.PrometheusUnbound;Italy

C.QueenMab;Greece

31.TheRomanticAgebeganin____andcametoanendin_____.

A.1789…1821B.1778…1823C.1798…1832D.1768…1819

32.Byron,ShelleyandKeatsbelongtoRomanticpoetsof___generation.

A.thefirstB.thesecondC.thethirdD.theforth

33.TheExaminerisafamous_____intheEnglishRomanticAge.

A.novelB.poemC.periodicalD.newspaper

ⅡLiteraryTerms:

1.Romanticism

2.Ode

3.Pastoral

4.Satire

5.Image

Keytothemultiplechoices:

1-5CADAD

6-10CACDA

11-15BCBAB

26-30BDDCA

16-20CDDDA21-25BAAAB

31-33CBC

Keytotheliteraryterms:

1.Amovementthatflourishedinliterature,philosophy,music,andartinWesterncultureduringmostof

thenineteenthcentury,beginningasarevoltagainstclassicism.Theromanticistportrayspeople,scenes

andeventsastheyimpresshimorasheimaginesthemtobe.ARomanticworkhasoneormoreofthe

followingcharacteristics:anemphasisonfeelingandimagination;aloveofnature;abeliefinindividual

andcommonman;andinterestinthepast,theunusual,theunfamiliar,thebizarreorpicturesque,arevolt

againstauthorityortradition.Itexpressestheideologyandsentimentoftheclassesandstratathatwere

dissatisfiedwiththedevelopmentofcapitalism.Therehavebeenmanyvarietiesofromanticisminmany

differenttimesandplaces.SomeideasofEnglishRomanticismwereexpressedbythepoetsWilliam

WordsworthandSamuelTaylorColeridge,andsomewereshowedbyShelley,ByronandKeats.

2.Along,statelylyricpoeminstanzasofvariedmetricalpattern,writteninadignifiedformalstyleon

someloftyorserioussubject.Odesareoftenwrittenforaspecialoccasion,tohonorapersonoraseason

orcommemorateanevent.TwofamousodesarePercyByssheShelley’s“OdetotheWestwind”andJohn

Keats’sOdeonaGrecianUrn.”

3.FromLatinpastor,ashepherd.ThefirstpastoralpoetwasTheocritus,aGreekofthe3rdcenturyB.C.

ThepastoralwasespeciallypopularinEuropefromthe14ththroughthe18thcenturies,withsomefine

examplesstillwritteninEnglandinthe19thcentury.Thepastoralmodeisself-reflexive.Typicallythe

poetechoestheconventionsofearlierpastoralsinordertoput"thecomplexintothesimple,"asWilliam

EmpsonobservedinSomeVersionsofPastoral(1935).Thepoemisnotreallyaboutshepherds,butabout

thecomplexsocietythepoetandreadersinhabit.

4.Akindofwritingholdsuptoridiculeorcontempttheweaknessesandwrongdoingsofindividuals,

groups,institutions,orhumanityingeneral.Theaimofsatiristsistosetamoralstandardforsociety,and

theyattempttopersuadetheread