4030 在夕陽的照射下，枯草和落葉閃著不定的光，崖壁像一道巨大的屏，矗??2080可能存在一個令整個世界毀滅的巨大的伙伴星球，這個觀點許多人反對〖=251.55展到生物科學、農林科學及至新興的環境科學等領域中。考試大論壇以下關于獲得“??為了獲得??D.D.D.①總經理在辦公會上的話 了好幾層意思②聽說老李要搬家了，同辦公室的人都 ①對于這個新問題，要研究出新的解決方法，不 以前的老經驗②伴著陣陣清風的吹拂，翠綠的柳枝也隨 ③西漢董仲舒提出，百 ，獨尊儒術 2000B.C.D.?普魯姆博士62001771.11.2化為鳥類的姿態。20002015-2，1，31，70，112，()-49，109，43，79，19，()---12090453452∶5。問雞和兔子的數量之比是()。13，而乙車則增速42A.B.C.D.524%，由于對方多訂購，仍能獲得原來一樣多的利潤，則這種商品成本是多少元?()352510030030%5%公民死亡前??B.C.D.200019981487008523442500而應留在家里照顧小孩。B80%的家庭的男主人則不這么認為，他們認為妻子出外工作ABABABBA為使上述論證成??，如果沒有盜版光盤，W1052010特別行政區的高度自治包括??法權、行政管理權、獨??的司法、終審權、獨??DNARNA1DNADNA1A??B②?C②?④DA警告B記過CD降級SECTIONⅢReading(40minutes)ParAReadthefollowingthreetexts.AnswerthequestionsoneachtextbychoosingA,B,CorD.MarkyouranswersonANSWERSHEET1.Peopleseldomfeelneutralaboutpoetry.Thosewholoveitsometimesgivetheimpressionthatitisanadequatesubstitutionforfood,shelter,andlove.Itisn’t.Words,nomatterhowsatisfying,areneveranequivalentforlifeitselfanditshumanexperiences.Thosewhodislikepoetryonprinciplesometimesclaim,ontheotherhand,thatpoetryisonlywordsandgoodfornothing.That’snottrueeither.Itiseasytobecomefrustratedbywords-------inpoetryorinlife----butwhenwordsrepresentandrecreateandgenuinehumanfeelings,astheyoftendoinpoetry,theycanbeveryimportant.Poetryis,infact,morethanjustwords.Itisanexperienceofwords,andthosewhoknowhowtoreadpoetrycaneasilyextendtheirexperienceoflife,theirsenseofwhatotherpeoplearelike,theirawarenessofthemselves,andtheirrangeofhumanfeelings.Onereasonpoetrycanbesoimportantisthatitissocloselyconcernedwithfeelings.Poetryisoftenfullofideas,too,andsometimespoemscanbepowerfulexperiencesofthemind,butmostpoemsareprimarilyabouthowpeoplefeelratherthanhowpeoplethink.Poemsprovide,infact,alanguageforfeeling,andoneofpoetry’smostinsistentmeritsinvolvesitsattempttoexpresstheinexpressible.Howcananyone,forexample,putintowordswhatitmeanstobeinloveorwhatitfeelsliketolosesomeoneonecaresabout?Poetrytries,anditoftencapturesexactlytheshadeofemotionthatfeelsjustrighttoareader.Nosinglepoemcanbesaidtoexpressallthethingsthatloveordeathfeelslike,ormeans,butoneofthejoysofexperiencingpoetryoccurswhenwereadapoemandwanttosay,“Yes,thatisjustwhatitislike;IknowexactlywhatthatlinemeansbutI’veneverbeenabletoexpressitsowell.”Poetrycanbethevoiceofourfeelingsevenwhenourmindsarespeechlesswithgrieforjoy.“Peopleseldomfeelneutralaboutpoetry”inthefirstparagraphmeansthat fewpeoplethinkthatpoetryispeoplealwaysdifferintheirviewsaboutpeoplerarelytakeapartialopinionaboutpeoplegenerallythinkofpoetryasextremelyimportantortotallyTheauthorsuggeststhat poetrytendstomakethereaderpoetrymakesitsreaderspoetryismoreimportantthanpoetryoftencapturesrealhumanAccordingtotheauthor,poetry ismorethanjustisthepoet’sfeelingsaboutisanythingbutpatternsofisanexperimentontheuseofPoetrytries,persistently,toexpress whatloveanddeathwhatpeoplethinkaboutwhatpeoplefeelbutfindithardtohowpeoplegothroughThispassageismainlyabout thestructureofthecomponentofthenatureandimportanceoftheappreciationofpoetryText2ContemporaryWesternAmericanarthasbeenaverypopularandlucrativepartoftheartmarketplace.ButunlikesomeartistswhohavebeguntopaintWesternsubjectspreciselybecausethereisareadymarketforthem,thememberswhomakesuptheWomenArtistsoftheAmericanWest(WAOAW)painttheWestbecauseithasalwaysbeentheprimarysubjectmatterforthem.Forthemostpart,thesewomenhavelivedintheAmericanWestsincebirth,andtheirartisnaturaloutgrowthofthehabitatandhabitsoftheirdailylives.TheWAOAWwaslaunchedin1971byartistsGloriaBilottaandMollieThisorganizationbroughtWesternartiststogetherinhopeofmakingmoreofanimpactoftheartcommunitythananyofthemcouldindividuallyandtopromoteWesternartbywomen.Inthemorethan10yearsoftheorganization’sexistence,theworkofWAOAWhasbecomerecognizedaspreeminentbycollectorsandcriticsofWesternAmericanart.Justwhattypeofsubjectmatterdoesthisartgenreinclude?ThesceniclandscapesandsprawlingvistasoftheWestare,ofcourse,subjectsbutthemostrecognizablearethoselandscapesandportraitsfeaturingmountainmen,cowboys,andvariousAmericanIndiantribes.However,WAOAWartistsbelievethatthesubjectsmatterforWesternartshouldnotbeconfinedtothesenarrowlimitations.Itshouldcontainallaspectsofranchandpioneerlife,includingthelargeroleplayedbywomenWesternartshouldalsodepictWesternwildlifeandauthenticWesternartifactsasportrayedbyLisaDanielleLorimer,EstherMaricVetsch,MaryThomson,andothermembers.TheartistswhomakeupWAOAW,currentlyaboutthirty-fivemembershaveanothercharacterincommonapartfromtheirpaintinggenreandthatisthehighqualityoftheirart.Whenthegroupwasoriginallyformed,requirementsformembershipwerenotstrictandinvolvedwillingnesstoparticipateandamembershipfee.Butasthegroupgrewinprestige,itbecamenecessarytotightenmembershiprequirementsconsiderablyinordertojustifythemanyhoursandthousandsofdollarsspentbythegrouptopromotetheworkofitsThebesttitleforthepassageis WomenArtistsoftheAmericanWesternLandscapeFamousArtistsintheThePopularityofWesternArt(www.Examda。AllthefollowingsubjectsarementionedbytheauthorastypicalofWAOAWportraitsEXCEPT powerfulAmericanmountainauthenticwesternAnexampleofypicalWAOAWpaintingwouldbe menattendinganEasternhorseawomanparticipatinginaWesternhorseaviewofaportraitpainteratcollectorsat