The

Analysis

of

Angel

Clare’s

Tragedyin

Tess

of

The

D’urbervilles《苔絲》中安琪爾?克萊爾悲劇解析

摘要文學(xué)作品是現(xiàn)實(shí)生活的一面鏡子，反映了生活的方方面面。越來越多的學(xué)者開始從文學(xué)的角度研究一個(gè)國家的經(jīng)濟(jì)，政治和文化根源。悲劇是小說創(chuàng)作的手法之一。西方早在古希臘時(shí)期就有了悲劇創(chuàng)作。悲劇不是簡單的藝術(shù)形式或藝術(shù)技巧，而是對(duì)現(xiàn)實(shí)社會(huì)的特征的再現(xiàn)，它可以通過尖銳、激烈的事件展示令人憐憫、悲痛、同情、哭泣等的情節(jié)。英國著名作家托馬斯?哈代是維多利亞時(shí)期著名的小說家之一。他塑造了許多悲劇人物，展現(xiàn)出各種人物魅力。小說除了給人以命運(yùn)悲劇莊嚴(yán)凝重以外，還蘊(yùn)涵了作者深厚的理性主義，蘊(yùn)涵了對(duì)人類歷史邏輯矛盾深邃反思的社會(huì)悲劇。哈代的悲劇小說《德伯家的苔絲》真實(shí)地反映了其當(dāng)時(shí)的社會(huì)現(xiàn)實(shí)。小說成功地塑造了女主人苔絲的形象，無情地揭露了資產(chǎn)階級(jí)社會(huì)虛偽的倫理道德。本文試從男主人公安琪兒?克萊爾的社會(huì)背景和人物心理兩個(gè)方面，探討導(dǎo)致其悲劇的成因。

關(guān)鍵詞：托馬斯?哈代悲劇安琪爾?克萊爾

AbstractLiteratureisamirrorofreallifewhichcanreflectallaspectsofpeople’slives.Moreandmorescholarshavebeguntostudyacountryfromtherootsofeconomy,politicsandculture.AsearlyasancientGreece,thereweresomecreationsoftragedy.Tragedyisakindofliterarycreation,whichisnotasimpleartisticformortechniquebuttherepeatofrealsociety.Itcandepictthepiteous,sad,distressingandsentimentalplotsbydescribingsometortuousorcomplicatedevents.TheBritishfamouswriterThomasHardywasoneoftheexcellentnovelistsoftheVictorianage.Hedelineatedalotofcharactersoftragedies,showingvariouspersons’enchantment.Besidesprovidingthedignityoflifetragedytothereaders,thenovelscontainstheprofoundrationalismofthewriterandThomasHardy’sTessoftheD’urbervillesreflectedhisrealsociety.HardysucceededinportrayingtheimageofheroineTessandrevealingthehypocriticalethicsandmoralsofbourgeoissociety.Thispaperwilld

iscussthecausesofClare’stragedyfromthehero–AngelClare’ssocialbackgroundandpsychology.

Keywords:ThomasHardy,tragedy,AngelClare

Chapter1Introduction

Literatureisnotonlyanartbutalsoamirrorofreallife.Whenstudyingaliterarywork,scholarsactuallystudyhistory.Nowadaysanincreasingnumberofscholarshavebeguntostudythehistoryofacountry’seconomic,politicalandculturalformsfromtheperspectiveofliteraturebecausethroughdifferentkindsofliteraryworks,wecanseeallsortsoffeelingssuchasjoy,anger,sorrowandvarioustruths.Themanifestationofliteratureismanifold,oneofwhichistragedy.Thewritersoftenwanttoshowthepiteous,sad,distressingandsentimentalplotsbydescribingsometortuousorcomplicatedevents.Inthetragedy,itisinevitablethattheheroesorheroinesshouldsufferasetbackordisadvantage,coverthemselvesindishonor,experiencetribulationorevenfailordiethoughtheyhavereasonablemotivation,wishes,ideal,orpassionwhichmayindicateavictoryorsuccess.Butfinallytheywilleitherdieorgetmad.Withabadending,tragedyoftencontainsacertainphilosophyoflife

.TherearelotsoftragediesinwesternliteraturesuchasOedipus,PrometheusBound,RomeoandJuliet,Macbeth,Hamlet,Faust,etc.AndthefamoustragediansarealsolegionlikeAeschylus,Sophocles,Shakespeare,etc–ThomasHardyforone.Hewasaprolificandexcellentwriter,publishingfourteennovelsandfourvolumesofshortstories.Hisworkswerenotedfortheintensetragicspiritandsenseoffortune,fromwhichwecanfeeltheatmosphereoftragedybroughtbyfortunedeeply.

“TessoftheD’urbervilles”isoneoftheHardy’stragedies,amasterpiecewhichbroughthimintoanumberofliterarycriticsnotice.Itreflectedthewriter’srealsocietyanditssocialsystemandmorals;thereforestudyingthisnovelcanhelpustoknowaboutthehistoryofhisage.ButmanypapersshowedthatmostofcriticsusedtoresearchthewritingbackgroundfromthetragedyofTess.ManyscholarshavealwaysputemphasisonthetragedyofTessforalongtime.OnlyafewscholarsmaderesearchesforthetragedyofitsheroAngelClare.Hewasacontradictoryunity–hewasboldinstrugglingwiththetraditionalviewbutinthemeantimehecouldnotbreaktheshacklesoffeudalideas.Thispaperwillseethesocietyfromthisperspective–AngelClare,thehero’stragedyanddiscussthecausesofClare’stragedyfromhissocialbackgroundandpsychology.

Chapter2AbriefaccountofTessofTheD’urbervilles

Itseemsthatthefictionalworksdonotconcernwiththerealworld.Butweknowthatbeforethewritersbegintocreatetheirworks,itcanbesaidthattheirsocialexperiencemaybetheirprimarymaterialforcreation.Somewriterscreatedtherolesandenvironmentsinordertorevoltagainsttheworldlyprejudiceoftheirages.Thesekindsofwordsareexpectedtotellpeoplethetruthofasociety.Inmanycases,thesocialbackgroundofthenovelisthewriter’sbackground.BeforeanalyzingtherootsofClare’stragedy,thispaperwilldiscusstwoaspectsofthisnovel,namely“thewritingbackground”and“thewriterandhisworks”fromwhichwecanseethebackgroundofthisnovel.

2.1Thewritingbackground

ThomasHardywasthelastimportantnovelistoftheVictoriaages.TheVictorianagewasanageofrealismratherthanofromanticism–arealismwhichstrivestotellthewholetruthshowingmoralandphysicaldiseasesastheyare.Victorianliterature,ingeneral,truthfullyrepresentedtherealityandspiritofthisagewhichwasthegreatageoftheEnglishnovel—realistic,thicklyplotted,crowdedwithcharacters,andlong.Hardy,whoalsoshownthetruthofthisagehadahighplaceinWesternliteraturewhichcamefromtheagitationoflifeandfatalismofhumanbeing.HistragediesinthehistoryofWesternliteraturewerenoanaccidentforthetragedyconsciousness.Hardy’stragicnovelshassprungfromanddevelopedthistragicideainformandconnotation.ThetragedyconsciousnessinHardy’snovelsoriginatedfromWesterntraditionaltragicspiritwhichwasfullofrationalismandprofoundreflectiononthecontradictionsofhumansociety.Anditalsorevealedanineluctableandinevitablecond

itionalityoffate.Thatistosay,theheroesorheroineswouldslipintothetragicpathoflifeintheendinWesternliteraturenomatterwhethertheylikedornot,orwheretheyhided.Tragedywastheirfinalarrangement.

ThomasHardystudiedGreektragediesandShakespeareantragediesallhislife.AndhewasdeeplyinfluencedbySchopenhauer’stragedyconsciousness.Schopenhauerwasafamousphilosopherwhobelievedthatlifewasatragedy–lifewasfilledwithdesire.Ifapersonhadadesirebutcouldnotgainhisdesires,hewouldfeelpainful;however,whenhecouldgainhisdesires,hewouldbecomeinsipid.Thiswasanothertorment.Schopenhauergroupedtragedyintothreetypes:thetragedycausedbythosewhocommittedheinouscrimes,thetragedyledbytheironyoffateandthetragedycausedbymisunderstandinganddistrustbetweenpersonsineverydaylife.Inhisopinion,thelasttragedywasthemostterribleonewhichwecanseeinHardy’sworks.Hardybegantocreatingthenovelsintheearly1870s.Inthelate1890s,heturnedtowritepoetry.TheBritaininthisperiodwasundergoingatransitionperiodfromlaisser-fairecapitalismtoimperialism.Thecapitalismthoughtthatthesocialsystemofthisperiod

couldnotbechanged.ButHardy’sworksexactlyclashedwithit,whichreflectedthetremendouschangesofsocietyduetotheinvasionofindustrialcapitaltothevillage.WithoneremarkhehadrippedawaythemaskofBritishsociety.

2.2ThewriterThomasHardyandhiswork

Literatureisreflectionoflife.Almostallwriterscreatedtheirnovelsaccordingtohissocialbackground.Wecanseemanyliteraryworkswrittenonthebasisoftheirages.Theywantedtobringoutthesocialfactsbytheirworks.Itshouldbesuchafreewaythattheycouldrebukethedarksociety.Peoplecanfeelthesocietyofthewritersfromtheirworksandthenidentifiedwiththewriters.Thewritershopedthattheycouldletthepeopleknowthedarkaspectsofthegovernmentandthenfineanechofromthembytheirworks.Tosomeextent,anovelshouldbeahistory.FromtheintroductionofThomasHardyandthemaincontentofTessofTheD’urbervillesmustbehelpfultoshowusthebackgroundofClare’stragedy.

2.1.1A

ThomasHardy(1840～1928）,bornin1840nearDorchester,wasafamousBritishpoetandnovelist.HecarriedforwardanddevelopedtheliterarytraditionsoftheVictorianage.Hevividlyandtruthfullydescribedthetragicplotsinhisworks.Thecriticsofliteraturecalledhim“ShakespeareofBritishnovels”.Hardywasbornintoanarchitect’sfamilyandwasexpectedtobecomeanarchitect.HetrainedasanarchitectandworkedinLondonandDorsetfortenyears.Hardybeganhiswritingcareerasanovelist,publishingDesperateRemediesin1871,andwassoonsuccessfulenoughtoleavethefieldofarchitectureforwriting.

Hardywaspessimisticinhisviewoflife.Thedominantthemeofhisnovelsisthefutilityofman’sefforttostruggleagainstcruelandunintelligiblefate,chance,andcircumstances,whichareallpredestinedbytheImmanentWill.HebravelychallengedmanyofthesexualandreligiousconventionsoftheVictorianage.Andheexposedthehypocriticalmorals,lawsandreligionsofcapital.Hardy’sworksreflectedthetremendouschangesandpeople’smiserablelivesespeciallythewomen’slivesinsocialeconomic,politics,morals,custom,etcaftertheinvasionofindustrialcapitaltotheBritishvillages.Moreover,whereweseeHardy'srealmasteryisthedifferenceinthelanguageofpeoplefromthesocialclasses(e.g.theClare’sincontrastwiththefarmworkers’).Hewasgoodatviewinglifewithatragiclight.“TessofTheD’urbervilles”washismasterpiecewhichwasnotedbylotsofcriticsofdifferentperiods.

2.1.2ThemaincontentofTessofTheD’urbervilles

TessofTheD’urbervillescameintoconflictwithVictorianmorality.Inthisnovel,Hardyreachestheheightofhisachievementasanovelist.LikemostotherHardynovels,rurallifeisaprominentissueinthestory.Andtheissueoffateversusfreedomofactionisanotherimportantaspectofthisnovel.IttellsofthatavillagegirlcalledTesswhowasabeautiful,pure,plain,honest,assiduousandcleverwentthroughamiserablelife.Shewasborninapoorfamilyandlivedinapeculiarsociety.ThesonoftheD’urbervillesAlecrapedherandshewaspregnant.ShefellinlovewithAngelClarebeforelong.Clarelovedherverymuchandlongedtomarryherbutshedelayedtoanswerthisofferofmarriagejustbecauseshedidnotknowhowtotellthetruthofbeingraped.Despitethis,atlastthiskindheartedandsinceregirldecidedtotellhimthisbadthing.However,whenTesstoldhimthetruththatshewasrapedbyaknaveAlec,hecouldnotforgiveherforhavinganotherman’schildeventho

ughsheforgavehimeverything.AngelClarebecameveryangryandabandonsTess.OnedayshefoundAlecbecameaminister.Afterherfather’sdeathunexpectedly,Tesshadtheburdenofthefamilywelfareonhershoulders,andtheywereshortlythereafterevictedfromtheircottage.ShebelievesdeepdownthatAngelhadabandonedher,andAlecsaiditaswell,andTessknewherfamilywoulddowellbyAlec’swealthandproperty.Buttohersurprised,AngelreturnsfromBrazil,repentinghisharshness,butfoundherlivingwithAlec.TesskillsAlecindesperation,shewasarrestedandhanged.Shemakeshimpromisetomarryhersister,LizaLu,afterherdeath,whichheagreestodo.

InTessofthed'Urbervilles,ThomasHardyhasdirectlysatirizednature.Thisnovelrevealedthetragedyofcommonpeople’sdestinyandflayedhypocriticalgentlemenandmorals.Inthisnovel,HardydemonstratedhisdeepsenseofmoralsympathyforEngland'slowerclasses,particularlyforwomen.Hesucceededinportrayinganartisticimage–avillagegirlwithkindness,tendernessandamorousness.Thenovel,whichindicatedthetendencyofanti-religioussentiments,againstfeudalmoralityandthelawsofcapitalists,waswarmlyreceivedbythereadingpublicthoughBritishupperclasswasbitteragainstit.

Chapter3TheoriginsofAngelClare’stragedy

Tragedycanalsobeavisionoflife,whichissharedbymostWesternculturesandhavingitsroots.Theessenceoftragedyisalmostthesamethoughtdifferentwriterscreatethestoriesfromdifferentpointsofviewandwithdifferenttechniques.AnumberofcriticshadmanykindsofinterpretationsforAngelClare’stragedyinTessofTheD’urbervilles.Theyanalyzedhiscomplicatedcharacterfromdifferentperspectives.Thispaperwillexplainhistragedyasthefollowingaspects:

3.1Socialroots

HeresocialrootsrefermainlytothesocialconventionsandmoralstandardswhichledtoClare’stragedy.Clarelivedinsuchconditionswhichthemasculineauthorityplayedanimportantroleintraditionalsociety.AngelClarewasoneofthevictimsofthissociety.Atthatage,womenwereregardedasbeingsubordinateinthehousehold.Thechastityforthemisthemostimportantthing.Thetraditionalviewonchastityconsideredawoman’schastityastheprerogativeofherhusband.Ifthewomenlosthervirtue,shemustbeimmoral.Ontheonehandthemalemadethemoralstandardsforthefemale,demandingofthefemaletobepureandvirginal;ontheotherhand,themaleindulgedhimselfinsexualmatters.Theydemandedthatthemostmagnanimousactthefemalehadshouldbechastity;nevertheless,thosewhobrokethewomen’schastitywerethemalesthemselves.Thatistosay,onlythemalesinthatsocietywereright.Thefemalecouldsaynothingforhiswrong.SoTessaskingClare“Forgivemeasyoua

reforgiven!Iforgiveyou.Angel”(Hardy,1993)wouldbecometheimpossibility.[論文網(wǎng)Www.LunWenNet.Com]

Undersuchcircumstances,afterTesslosthervirginity,sheshouldbeAlec’sconcubineormaketheirrelationshiplegalizedaccordingtothesocialbadhabitsofthetime.ButTess,whopursuedherinnocentlove,hadratherbe“aladyofeasyvirtue”.Intheliterature,therewasasetformfortheimagesofwomen,namely,womenshouldbebeautifulandvirtuous,gentleandbiddable,andshouldcleavetohishusbandandfamilies.Allthesesetsarerelatedtotherealsociety.Traditionally,awomanmustobeyherhusbandlikehiswretchedslave.ThedescriptionaboutthisagegivenbyHardywasjustthesocietywhose“socialmorals”hadmanifestedmainlyin“chastity”thatcenteredonmen.Evenifamanofthatagewasboldinchallengingtheoldsystem,itwasimpossibleforhimtoabandonthesocialmorals.Inaddition,alargepartofpeoplearoundhimwerestillcontrolledbyfeudalideas,sothesocialrootsshouldbethedirectcauseofClare’stragedy.

3.2Psychologicalroots

Aperson’swayofseeingthingsplaysanimportantroleallhislife.Hardynaminghishero“Angel”mighthavehisownintent.WeknowthatAngelshouldbepure;however,fromthedevelopmentoftheplot,wecannotsee“pure”fromAngelClare.AngelClarewasborninarichpastoralfamily,buthewasunwillingtoobeyhisfatherandbrothers.Hedidnotabidebytheoldcustomandetiquette,andgaveadamnforthesuperiorofmaterialthingssuchaswealthandposition.Hewasbornandbredthereligion.Buthethoughtthathecouldnothonestlybeordainedaministerashisbrotherswere.Hetookupadisdainfulpositiononthesocialcustomsandfoundthevalueofworkingpeople.Heabandonedthechanceofstudyinginuniversityandwenttothecountrysideandtostudytheagriculturalskills.Thisissufficienttoshowthathewasboldinstrugglingwiththetraditionalviewandtriedtoshowofftheshacklesoftheclass.Atthenewly-marriednight,Tessdecidedtotellhimher“guilt”indetail.An

gelfelloutwithTessandthenwenttoBrazilalonethoughhehadlivedalooselifewithawomanwhowasnotacquaintedwithhim.HecouldnotforgiveTessher“guilt”.Theso-called“pure”inhismindwassoingrainedthathecouldnotacceptTess’spast.Heconsidersherasa"fallenwomen".

Clarewasalsosuchamanwitharidiculouspointthatamancouldhaveaffairwithmanygirlsbutagirlmustkeeptobeavirginbeforeshebecomeabride.Itshowedhiscowardiceinhischaracter.Tesstrustedhimandmadeadecisiontoconfidehersecrettohim.Butonthenightoftheirwedding,whenClarelearnedthatTesswasnotavirginandhadhadabastard,theoriginalperfectimagewassuddenlybrokenbythesadfacts.ApparentlyhesaidhewasdeeplyattachedtoTess,butactuallyhecouldnotfacethetruthwithcourage.HejustlovedTess’spleasingappearanceratherthananyotherthingsofher.AngelClarewasmoreorlessanopen-mindedbourgeoisintellectual.Inlove,althoughhewasnotasdespicableasAlec,hewasdevoidofselflessandsincerefeelingasTessdid.ClarelovedTessjustbecauseofherbeauty.Andshecouldbecomehisrighthandinthefuture.HetoldTess:“Irepeat,thewomanIhavebeenlovingisnotyou.Anotherwomaninyourshape.”(Hardy,1993)Hecouldnotbelie

vethisbadtrutheandsaid“Tess!Sayitisnottrue!No,itisnottrue!”Itisclearthathetookadeadlyknockpsychologically.Clare’scharacterdeterminedhistragedy–hecouldnotacceptherpast.

ItisclearthattheseedsoftragedyaresownwhenalltherigidruleofhisforebearandtheunfairsocialsystemsfirmlylaidholdofAngelClare,whohadpreachedtheliberationofmankindnolongerexists.WhenClarefinallyrealizedtheimmensityofTess’sloveandthepiteousplightithadbroughtuponher,everythingwastoolate.Hecouldnotcompletelygetridofsocialconventionsandmoralstandards.Tesswouldgoawayforever.ItwasClare’stragedy–thesocialsystemandmoralityandhischaracterdecidedthatitcouldbeinevitable.

Chapter4Conclusion

Literaturehascomeveryclosetodailylife,reflectingitspracticalproblemsandinterestsandisusedasapowerfulinstrumentofhumanprogress.Literatureoriginatesfromlifeandthenreformslife.Theycanmakeyousubconsciouslyanddeeplybelievethatallthethingstheydescribedreallyhappened.Afteryoufinishreading,thecharactersthatitdepictedwillappearvividlyinfrontofyou.Theyaretruetolife——youcanseetheirfacesandfeeltheirsound,paceandthoughts.Withtheexcellentliteraryworks,wecanfeelthehistoryvividly.Asanimportantpartofliterature,tragedyhasshoweditsartisticattraction.Thereasonwhyagreatnumberofreaderstendtobeaffectedbytheplotsoftragediesisthatsomeofthemhadthesameorsimilarexperiencewiththecharactersinthenovels.

Thewesterntragediesputemphasisonthesoul-stirringspiritfromthefear.Thestrongtragediescantouchtheheartofthereaders.Themodernwesterntragediesrepresentedthelifestyleofmodernwesterners.Theyhavesomecharacteristicsofmodernlivesandconsciousness.Studyingonthemasterpiecesofanagecanhelpalotforstudyingitshistory.ThomasHardywasborninVictorianage.Thenovelinthisagebecamethemostwidelyread,themostvitalandchallengingexpressionofprogressivethought.Althoughwritingfromdifferentpointsofviewandwithdifferenttechniques,thewritersofthisagesharedonethingincommon,thatis,theywereallconcernedaboutthefateofthecommonpeople.InHardy’sworks,manisalsoshowninevitablyboundbyhisowninherentnatureandhereditarycharacteristicswhichprompthimtogoandsearchforsomespecifichappinessorsuccessandsethiminconflictwiththeenvironment.Hevividlyportrayeddifferentcharactersoftragedy.TessoftheD’urbervi

lleswasoneofhismasterpieces.Theconflictsbetweenthetraditionalandthemodern,betweentheoldruralvalueofrespectabilityandhonestycanbeclearlyseeninthisnovelanditisnotdifficulttoseetherootsofthistragedyeitherfromTessorClare.ThispaperanalyzedClare’stragedyanddescribedtherootsoftragedyinthisprocess.Awonderfuldescriptionisjustapartofanovel,butonlythosethingswhichcanstrikedeepintothemindsofthepeoplewillberememberedbythem.FromthetragedyofAngelClare,wecanseethedarkofasocietyagain.

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[7]張谷若譯本，1990，德伯家的苔絲[M]，北京：人民文學(xué)出版社[8]朱立元，1997，當(dāng)代西方文藝?yán)碚揫M]，上海：華東師大出版社基于C8051F單片機(jī)直流電動(dòng)機(jī)反饋控制系統(tǒng)的設(shè)計(jì)與研究基于單片機(jī)的嵌入式Web服務(wù)器的研究MOTOROLA單片機(jī)MC68HC（8）05PV8/A內(nèi)嵌EEPROM的工藝和制程方法及對(duì)良率的影響研究基于模糊控制的電阻釬焊單片機(jī)溫度控制系統(tǒng)的研制基于MCS-51系列單片機(jī)的通用控制模塊的研究基于單片機(jī)實(shí)現(xiàn)的供暖系統(tǒng)最佳啟停自校正（STR）調(diào)節(jié)器單片機(jī)控制的二級(jí)倒立擺系統(tǒng)的研究基于增強(qiáng)型51系列單片機(jī)的TCP/IP協(xié)議棧的實(shí)現(xiàn)基于單片機(jī)的蓄電池自動(dòng)監(jiān)測系統(tǒng)基于32位嵌入式單片機(jī)系統(tǒng)的圖像采集與處理技術(shù)的研究基于單片機(jī)的作物營養(yǎng)診斷專家系統(tǒng)的研究基于單片機(jī)的交流伺服電機(jī)運(yùn)動(dòng)控制系統(tǒng)研究與開發(fā)基于單片機(jī)的泵管內(nèi)壁硬度測試儀的研制基于單片機(jī)的自動(dòng)找平控制系統(tǒng)研究基于C8051F040單片機(jī)的嵌入式系統(tǒng)開發(fā)基于單片機(jī)的液壓動(dòng)力系統(tǒng)狀態(tài)監(jiān)測儀開發(fā)模糊Smith智能控制方法的研究及其單片機(jī)實(shí)現(xiàn)一種基于單片機(jī)的軸快流CO〈,2〉激光器的手持控制面板的研制基于雙單片機(jī)沖床數(shù)控系統(tǒng)的研究基于CYGNAL單片機(jī)的在線間歇式濁度儀的研制基于單片機(jī)的噴油泵試驗(yàn)臺(tái)控制器的研制基于單片機(jī)的軟起動(dòng)器的研究和設(shè)計(jì)基于單片機(jī)控制的高速快走絲電火花線切割機(jī)床短循環(huán)走絲方式研究基于單片機(jī)的機(jī)電產(chǎn)品控制系統(tǒng)開發(fā)基于PIC單片機(jī)的智能手機(jī)充電器基于單片機(jī)的實(shí)時(shí)內(nèi)核設(shè)計(jì)及其應(yīng)用研究基于單片機(jī)的遠(yuǎn)程抄表系統(tǒng)的設(shè)計(jì)與研究基于單片機(jī)的煙氣二氧化硫濃度檢測儀的研制基于微型光譜儀的單片機(jī)系統(tǒng)單片機(jī)系統(tǒng)軟件構(gòu)件開發(fā)的技術(shù)研究基于單片機(jī)的液體點(diǎn)滴速度自動(dòng)檢測儀的研制基于單片機(jī)系統(tǒng)的多功能溫度測量儀的研制基于PIC單片機(jī)的電能采集終端的設(shè)計(jì)和應(yīng)用基于單片機(jī)的光纖光柵解調(diào)儀的研制氣壓式線性摩擦焊機(jī)單片機(jī)控制系統(tǒng)的研制基于單片機(jī)的數(shù)字磁通門傳感器基于單片機(jī)的旋轉(zhuǎn)變壓器-數(shù)字轉(zhuǎn)換器的研究基于單片機(jī)的光纖Bragg光柵解調(diào)系統(tǒng)的研究單片機(jī)控制的便攜式多功能乳腺治療儀的研制基于C8051F020單片機(jī)的多生理信號(hào)檢測儀基于單片機(jī)的電機(jī)運(yùn)動(dòng)控制系統(tǒng)設(shè)計(jì)Pico專用單片機(jī)核的可測性設(shè)計(jì)研究基于MCS-51單片機(jī)的熱量計(jì)基于雙單片機(jī)的智能遙測微型氣象站MCS-51單片機(jī)構(gòu)建機(jī)器人的實(shí)踐研究基于單片機(jī)的輪軌力檢測基于單片機(jī)的GPS定位儀的研究與實(shí)現(xiàn)基于單片機(jī)的電液伺服控制系統(tǒng)用于單片機(jī)系統(tǒng)的MMC卡文件系統(tǒng)研制基于單片機(jī)的時(shí)控和計(jì)數(shù)系統(tǒng)性能優(yōu)化的研究基于單片機(jī)和CPLD的粗光柵位移測量系統(tǒng)研究單片機(jī)控制的后備式方波UPS提升高職學(xué)生單片機(jī)應(yīng)用能力的探究基于單片機(jī)控制的自動(dòng)低頻減載裝置研究基于單片機(jī)控制的水下焊接電源的研究基于單片機(jī)的多通道數(shù)據(jù)采集系統(tǒng)基于uPSD3234單片機(jī)的氚表面污染測量儀的研制基于單片機(jī)的紅外測油儀的研究96系列單片機(jī)仿真器研究與設(shè)計(jì)基于單片機(jī)的單晶金剛石刀具刃磨設(shè)備的數(shù)控改造基于單片機(jī)的溫度智能控制系統(tǒng)的設(shè)計(jì)與實(shí)現(xiàn)基于MSP430單片機(jī)的電梯門機(jī)控制器的研制基于單片機(jī)的氣體測漏儀的研究基于三菱M16C/6N系列單片機(jī)的CAN/USB協(xié)議轉(zhuǎn)換器基于單片機(jī)和DSP的變壓器油色譜在線監(jiān)測技術(shù)研究基于單片機(jī)的膛壁溫度報(bào)警系統(tǒng)設(shè)計(jì)基于AVR單片機(jī)的低壓無功補(bǔ)償控制器的設(shè)計(jì)基于單片機(jī)船舶電力推進(jìn)電機(jī)監(jiān)測系統(tǒng)基于單片機(jī)網(wǎng)絡(luò)的振動(dòng)信號(hào)的采集系統(tǒng)基于單片機(jī)的大容量數(shù)據(jù)存儲(chǔ)技術(shù)的應(yīng)用研究基于單片機(jī)的疊圖機(jī)研究與教學(xué)方法實(shí)踐基于單片機(jī)嵌入式Web服務(wù)器技術(shù)的研究及實(shí)現(xiàn)基于AT89S52單片機(jī)的通用數(shù)據(jù)采集系統(tǒng)基于單片機(jī)的多道脈沖幅度分析儀研究HYPERLINK"/detai