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ContentWarm-upPage15001.Page151–16102.Reading03.04.LanguagePracticePage162–16305.ListeningPage164–165
06.SpeakingPage166–167 07.WritingPage168–169Mini-PediaofChineseCulturePage169WARM-UPPage150Warm-upBookP.150Exercise1Machthefollowingentertainmentswiththeircorrespondingdescriptions.ConcertMusicaltheatreCinemaAnimationPekingOperaItisoneofthemajorculturalattractionsinChina,representingthemostpleasingcombinationofmusic,vocalperformance,mime,danceandacrobatics.Itisalivemusicperformanceinfrontofanaudience.Itistheartortechniqueofmakingmotionpictures.Itisaformoftheatrecombiningmusic,songs,spokendialogue,anddance.Itisafilminwhichdrawingsorpuppetsappeartomove.bdceaWarm-upBookP.150Exercise3Listentofivepiecesofmusic,andguesswhichgenreeachofthembelongsto.1.____________2._____________
3._____________4._____________5.______________RockJazzClassicalRapNewAgeExercise2Workinpairs.Matchtheformsofentertainmentwiththeirrepresentativeworks.MusicaltheatreCinemaPekingOperaAnimationAvatarCatsTomandJerryFarewellMyConcubine(BaWangBieJi)badcREADINGPage151
–161ReadingTaskDoyoulikewatchingmovies?Whatisyourfavourite?Canyouexplainwhyyoulikeit?BookP.131–133TextAArticle1WhatMakesaGoodFilms?Films,oftenregardedasmodernexpressions
ofart,arereflectionsofoursocietyandlife.Theymakeuslaughandcryandweoftenlovetoquotethem.Everyyearnumerousfilmsaremadeinthe
entertainmentindustries.Sometopthechartswhileothersarekickedoutoftheboxoffice;
somebecomethehottopicofdiscussionforthecriticswhileothersjustescapetheirnotice.Buthowmanyofthemareactuallygoodfilms?
Whatarethetraitsforgoodfilms?Firstofall,afilmshouldprovidegoodentertainment.Thereareofcourseothers:Touchourfeelings:Afilmshouldtouchourheartandmakeustalkorthinkaboutitinsteadofjustbecomingapastime.
Itshouldhavethecapacitytoteachandinspireusandprovokeusemotionally.
Educative:
Itshouldbeabletoletusknowaboutsomethingnew.
Nowadaysfilmsareconsideredtobeoneofthemosteffectiveeducationaltoolsusedtoteachoreducatepeopleregardingcertainissues.Mirrorofthesocietyandlife:Agood
filmmustalsoprovidesomeelementsofencouragementandinspirepeopletosuccessfullyovercomebarriers.Butthesearenotall;therearesomeotherfactorswhichalsocontributetomakingagoodfilm.Thefollowingarethepoints:ThePlot:Thisisthemostimportantpart
ofthefilm.Withoutagoodplotafilmfailstoattractandretaintheviewersinthetheatres.Eveniftheyweredrawntoitinitiallyforsomereasons,peoplewouldloseinterestsoonerorlater.TheCharacters:Thesecondmostsignificantfactorofanygoodfilmisthecharactersofthestory.Withoutthemtherewouldbenostoryandnoplot.Beitapositivecharacterornegativeone,theyshouldhavesomequalitiestowhichthepeoplecanrelate.Actors:Weneedgoodactorstomakeagoodfilm.Actors,whocanjustifythecharactersandmakethemcomealiveinfrontoftheaudience.Lastbutnottheleast,visualdisplayofafilmwithbeautifulscenesandscenerycanalsoinfluenceanddrawpeopletothetheatres.TextAGlossaryPhrases&Expressionsreflection/r??flek?n/n.映像;體現;反射quote/kw??t/vt.&vi.引述;引用numerous/?nju?m?r?s/adj.許多的;數不清的chart/t?ɑ?t/n.圖表;(唱片銷售量的)排行榜critic/'kr?t?k/n.批評家;評論員qualify/?kw?l?fa?/v.(使)有資格/權利;達到標準inspire/?n?spa??(r)/v.激勵;賦予靈感;喚起(感情)provoke/pr??v??k/vt.激起;煽動;觸怒retain/r??te?n/vt.保持;留在心中initially/??n???li/adv.開始;最初relate/r??le?t/v.涉及;聯系justify/?d??st?fa?/vt.證明……合理;為……辯護boxoffice票房;售票處contributeto有助于;促成soonerorlater
遲早;早晚comealive
活躍起來;變得生動有趣;栩栩如生LANGUAGEPOINTS–TEXTA(paragraph1)Films,oftenregardedasmodernexpressionsofart,arereflections
ofoursocietyandlife.reflection:n.asignthatshowsthestateornatureofsomething【運用】areflectionof……的反映e.g.Literatureisthereflectionofreallifeandtherevelationoftheartisticpulseofperiods.【拓展】reflect(v.)反映;反射;顯示;沉思e.g.Theiractionsclearlyreflecttheirthoughts.(paragraph1)
Theymakeuslaughandcryandweoftenlovetoquote
them.quote:v.torepeattheexactwordsthatanotherpersonhassaidorwritten【運用】quotesth.fromsb./sth.引用;引述e.g.
TheauthorfrequentlyquotedsentencesfromShakespeare.【拓展】quotation(n.)引語;引用;報價e.g.
Quotationsfromothersourcesmustbeclearlymarkedasdistinctfromthestudent’sownwork.(paragraph2)
Everyyearnumerous
moviesaremadeintheentertainmentindustries.numerous:adj.existinginlargenumberse.g.NumerousTVadaptationshavebeenmadeofthewriter’swork.[拓展]numerously(adv.)無數地e.g.Peopleparticipatedmorenumerouslythaneverbefore.LANGUAGEPOINTS–TEXTA(paragraph2)…somebecomethehottopicofdiscussionforthecriticswhileothersjustescapestheirnotice.critic:n.apersonwhoexpressesopinionsaboutthegoodandbadqualitiesofbooks,music,etc.【運用】artcritic藝術評論家e.g.Hewasasterncriticbutanextremelykindlyman.【拓展】criticise(v.)評論;批評e.g.Thestudentsweretaughthowtocriticisepoems.(paragraph4)Itshouldhavethecapacitytoteachand
inspire
usandprovoke
usemotionally.inspire:v.tomakesb.haveaparticularfeelingoremotione.g.Thatstorydidn’texactlyinspiremewithconfidence.【拓展】inspiration(n.)靈感;啟發靈感的人或事provoke:v.tocauseaparticularreactionorhaveaparticulareffecte.g.Hiselectionsuccesshasprovokedashockedreaction.【拓展】provocation(n.)挑釁;刺激.(paragraph8)
Withoutagoodplotamoviefailstoattractand
retain
theviewersinthetheatres.retain:v.tokeepsomething;tocontinuetohavesomething【運用】retainedearnings留存收益e.g.Ifyouwanttoretainyouthfulvigor,youhavetotakeregularexercise.【拓展】retainer(n.)預付費;保持器e.g.Checkwhetherfullrentoraretainerisrequiredduringvacations.(paragraph9)
…theyshouldhavesomequalitiestowhichthepeoplecanrelate.relate:v.showormakeaconnectionbetweentwoormorethingse.g.Hisremarksdidn’trelatetothetopicunderdiscussion.【拓展】relation(n.)關系;關聯e.g.Thepurposeoftheresearchistoexploretherelationbetweenrainfallandcropyields.(paragraph10)
Actors,whocan
justify
thecharactersandmakethemcomealiveinfrontoftheaudience.justify:v.toshoworproveroberightorreasonablee.g.Doyouthinkthattheendjustifiesthemeans?【拓展】justification(n.)理由;辯護e.g.AllIcansayinjustificationofmyactionsisthatIwasunderalotofpressureatwork.LANGUAGEPOINTS–TEXTATextA譯文文章1什么樣的電影才是好電影?電影通常被認為是現代藝術的表現形式,是我們社會和生活的反映。電影讓我們歡笑和哭泣,我們經常喜歡引用電影里的話。每年娛樂行業都在制作許多電影。有些電影位居榜首,而另一些則被踢出票房;有些電影成為評論家們討論的熱門話題,而另一些則沒引起他們的注意。但其中有多少是真正的好電影?一部電影要成為一部好電影,需要具備哪些特質?首先,電影應該提供良好的娛樂享受,當然還有別的:觸動我們的感情:一部電影應該觸動我們的心,讓我們談論它、思考它,而不僅僅是成為時間的流逝。它應該能夠教導和激勵我們,激發我們的情感。教育功能:它應該能夠讓我們知道一些新的東西?,F在,電影被認為是最有效的教育工具之一,用于教育人們認識某些問題。社會和生活的鏡子:一部好電影還必須提供一些鼓勵和激勵人們成功克服障礙的元素。但這些并不是全部,還有一些其他因素也有助于一部電影成為好電影。以下是幾個關鍵點:情節:這是電影中最重要的部分。沒有好的情節,一部電影就無法吸引和留住觀眾。即使人們最初因為某些原因被電影吸引,他們遲早會失去興趣。人物:任何好電影的第二個最重要的因素是故事的人物。沒有他們,就沒有故事,也沒有情節。人物應該是觀眾喜歡的。無論是積極的性格還是消極的性格,他們都應該有一些跟人們有關聯的品質。演員:我們需要好的演員來拍一部好電影。演員,他們可以為角色辯護,讓角色在觀眾面前變得生動起來。最后一點,也是非常重要的一點,電影美麗的場景和布景設計也可以影響和吸引人們到劇院。BookP.152Step1ReadArticle1andtrytogetitsmainidea.Itcantouchtheaudience’sfeeling.Itiseducative.Itisthemirrorofsocietyandlife.traitsofagoodfilm:factorscontributingtomakingagoodfilm:theplot,thecharacters,actors.UNITTASKAArticle2TextAHomelesstoHarvard:TheLizMurrayStory
BornintheslumsoftheUnitedStates,Liz(starredbyThoraBirch)hasbeensufferingfromthewoundsofherfamilysincechildhood.Herparentswereaddictedtoalcoholanddrugs.WhenLizwas15,hermotherdiedofAIDS,andherfatherenteredashelter.PoorLizneededtogoouttobeg,wanderinginthecornersofthecity.Themiseryoflifeseemedendless.Asshegrew,Lizlearnsthatonlybybecomingastudentcanshechangeherdestinyandgetoutofthemire.Shegotatestpaperfromherteacher,
finisheditbeautifully,andgainedtheopportunitytoattendaprivatehighschool.Fromthenon,
Lizbeganherjourneyonthelongwaytoschool.Shewenttoschoolwhileworkingandspenttwoyearsfinishingfouryearsofhighschool.Butshedidn'thavemoneytofinishcollege,soshetriedhardtoapplyforafullscholarshiptoHarvard.Finally,shewalkedconfidentlyintoHarvard.PovertyhasnotstoppedLiz'sdeterminationtomoveforward,andthestrugglewastheeternalthemeinherlife.TextAGlossaryPhrases&Expressionsslum/sl?m/n.貧民窟;貧民區wound/wa?nd,wu?nd/n.傷口;創傷shelter/'?elt?(r)/n.遮蔽(物);庇護(處);居所;收容所wander/?w?nd?(r)/v.漫游;閑逛misery/?m?z?ri/n.痛苦;不幸;窮困;悲慘的境遇destiny/?dest?ni/n.命運;命運之神mire/'ma??(r)/n.泥潭poverty/'p?v?ti/n.貧窮;短缺theme/θi?m/n.主題;中心思想;主旋律sufferfromv.忍受,遭受;患……病;受……之苦beaddictedto對……很入迷;對……上癮LANGUAGEPOINTS–TEXTA(paragraph1)
BornintheslumsoftheUnitedStates,Liz(starredbyThoraBirch)hasbeensufferingfromthewounds
ofherfamilysincechildhood.wound:n.mentaloremotionalpaincausedbysomethingunpleasantthathasbeensaidordonetoyoue.g.Theysaythattimehealsallwounds.(paragraph1)
WhenLizwas15,hermotherdiedofAIDS,andherfatherenteredashelter.shelter:n.abuilding,usuallyownedbyacharity,thatprovidesaplacetostayforpeoplewithoutahome,orprotectionforpeopleoranimalswhohavebeenbadlytreatede.g.Earthisthebestshelter,truthisthebestbuckler.(paragraph1)
PoorLizneedstogoouttobeg,wandering
inthecornersofthecitywander:v.towalkslowlyaroundortoaplace,oftenwithoutanyparticularsenseofpurposeordirectione.g.Myparentswerenotatallnervousaboutallowingmetowanderaboutfreely.[拓展]wanderlust(n.)旅行癖;漫游癖;流浪癖(paragraph1)
Asshegrows,Lizlearnsthatonlybybecomingastudentcanshechangeherdestiny….destiny:n.whathappenstosb.orwhatwillhappentotheminthefuture,especiallythingsthattheycannotchangeoravoide.g.HecametoParisandfoundhistruedestinyasapainter.(paragraph1)
Poverty
hasnotstoppedLiz’sdeterminationtomoveforward,andthestrugglewastheeternalthemeinherlife.poverty:n.thestateofbeingpoore.g.Hisworkdisplaysapovertyofimagination.LANGUAGEPOINTS–TEXTATextA譯文文章2《風雨哈佛路》:麗斯·莫里的故事麗斯(由托拉·伯奇主演)出生在美國的貧民窟里,從小就開始承受著家庭的千瘡百孔。父母酗酒吸毒。在15歲時母親死于艾滋病,父親進入收容所。貧窮的麗斯需要出去乞討,和一些朋友流浪在城市的角落,生活的苦難似乎無窮無盡。隨著慢慢成長,麗斯知道,只有讀書成才方能改變自身命運,走出泥潭般的現況。她從老師那里爭取到了一張試卷,漂亮地完成答卷,爭取到了進入一所私立高中讀書的機會。然后,麗斯在漫漫的求學路上開始了征程。她一邊打工一邊上學,用兩年時間學完了高中四年的課程。她嘗試申請各類獎學金,只有紐約時報的全額獎學金才能讓她念完大學,于是她努力并申請到了這份獎學金。影片的最后,她邁著自信的腳步走進了哈佛的學堂。貧困并沒有止住麗茲前進的決心,在她的人生里面,勇往直前的奮斗是永恒主題。HomelesstoHarvardisa2003filmstarredbyThoraBirch.Byheroutstandingperformance,sheconveyedboththevulnerability(脆弱性)ofthecharacterandtheextraordinaryresilience(適應力).DirectedbyPeterLevin,thefilmwasbasedonthetruestoryofafemaleprotagonistElizabethMurraywhoovercamemanyobstaclestoreachherdreams.
Thecharacter’sgrit(決心),courage,anddeterminationtosucceedagainstalloddsisunbelievable.Fromtheaspectofplotdesigning,thelifeofthecharacterisfullofupsanddowns.Havingdrug-addictedparentswhospendalltheirmoneyontheiraddiction,lackingwarmclothes,nothavinganythingtoeat,andthenbecominghomeless,howshegoesontowinascholarshiptoHarvardisastorythatistrulyemotional,inspirational,andmotivational.BookP.153Step2GroupDiscussion.ReadArticle2,theplotsummaryofHomelesstoHarvard.TrytofindoutwhatmakeHomelesstoHarvardagoodstory.Themovieservesasagreatinspirationforeveryonetokeeponreachingfortheirdreamsregardlessoftheirsituation.Liz,throughsheerdeterminationandwillpower,wasabletoovercomeallherobstacles.Sheturnedallproblemsintoopportunitiessuchasthetimewhenshepickedupaseriesofencyclopediainthegarbageandreadthemduringthetimesshedidnotattendschool.Inaddition,despitethedirecircumstancesshewasbornin,shedidnotharbouranyillfeelingstowardsherparents.Forher,shechosetorememberthegoodthingsandlearnfromthebadthingsasthoseexperiencesmadeherstrong.1.Whatdoesthefilminspireyou?2.WhatmakesHomelesstoHarvardagoodfilm?Findasmanyfactorsasyoucan.UNITTASKABookP.154Step3ThefollowingaresomefamousdialoguesfromHomelesstoHarvard.Trytoimitatethem.LizMurray:I’dgiveitback,allofit,ifIcouldhavemyfamilyback.Chris:Butyouarenotafreak?LizMurray:No.Chris:Oh...That’stoobad.Iam.LizMurray:Iknew,atthatmoment,Ihadtomakeachoice.Icouldsubmittoeverythingthatwashappeningandlivealifeofexcuses...orIcouldpushmyself.Icouldpushmyselfandmakemylifegood.LizMurray:I'msmart.IknowIcansucceed.Ijustneedachance.AchancetoclimboutofthisplaceI'vebornin.EveryoneIknowisangryandtired.They’retryingtosurvive.ButIknowthatthereisaworldouttherethatisbetter,that’sbetterdeveloped.AndIwanttoliveinit.LizMurray:Iloveyou,dad.LizMurray:I’m17.Idon’twanttobe21beforeIfinishhighschool.David:Soyou’retryingtodofouryearsofhighschoolinwhat,three?LizMurray:Two.Lisa:Ilovedgoingtoschoolsomuch.Youneverwenttoschool.Whywouldtheygiveyouascholarship?LizMurray:BecauseI’mhomelessandI’mdoingreallywellatschool.Lisa:You’renothomeless,Liz.Youcouldstayhere.LizMurray:No,Icouldn't.Chris:Idon’twanttogotoschool.Idon’tbelongthere,andneitherdoyou.LizMurray:Yes,Ido.Chris:DoyouthinktheyletpeoplelikeusintoHarvard?LizMurray:Ilovedmymother,somuch.Shewasadrugaddict.Shewasanalcoholic.Shewaslegallyblind.Shewasaschizophrenic.ButIneverforgotthatshedidloveme.Evenif,ifshedid.Allthetime.Allthetime.Allthe...Allthetime.UNITTASKAUNITTASKAStep4Worktogetherwithyourgrouptowriteashortplay,usingtheelementsyoufindinStep1.Keepthelengthoftheplaybetween5-10mins.1.Whatkindofsocialphenomenonwillyoureflectupon?2.Whatinspirationwilltheplaytrytoconvey?3.Designafewcharactersandtheplot.Reference:●Agroupoffriendsgotothecinemabutfindthemselveswithconflictingchoices.●Ayoungmanhelpedanoldladyknockeddownbybike,butwasmistakenastheperpetrator.Howwouldheprovehimselfinnocent?●Onedayyouwakeupandfindeveryoneincludingyourclosestfriendisleft-handed.Whathappened?Whatareyougoingtodo?Canyoustilltrustyourfriend?●You'reatimetraveller.You'remistakenlycaughtinacrimescenein1996(oranyyearyoulike).YouhavenoID.Howcanyoutalkthepoliceintobelievingyouasinnocent?Orwillsomeonebeabletohelpyou?UNITTASKAStep5Adddetailstoyourplay.Nowisthetimetobringinthefirstmagicalelement:greatcharacters.Giveyourcharacterspersonalitiesandcatchylinestomakethemalive.Writeyourownplay.UNITTASKAStep6Playitout!Andrecorditwithavideocameraoramobilephonetosharewithyourclassmates.BookP.159TextBPekingOperaPekingOpera,alsoknownasthe"BeijingOpera"
,isthebiggestoperainChinaoriginatingfrom160yearsago.Itwasofficiallyformedafterthe20thyearoftheEmperorDaoguang(1840).
Itwasdevelopedbyabsorbingdifferentotherdramaticformslikethelocaldramacalled"Huiban",
whichwasfamousinSouthChinainthe18thcentury.Characteristics——SimilartotheWesternopera,
PekingOperaisapicturesquecomprehensiveperformingartthatintegratesmusic,dance,literature,martialarts,andevenfacepainting,soitisalsocalledthe"OrientalOpera"bywesternpeople.PekingOperaisakindofartthatpaysequalattentionto"Chang(Singing)",
"Nian(Speaking)",
"Zuo(Acting)"
and
"Da(Fighting)".
Itenablestheaudiencetobeinspiredbytheaffection,notonlyfromthelanguagebutalsofromthemusic,
thephysiqueandthefinearts.Roles——TherearefourmajorrolesinPekingOpera.Theyaresheng,dan,jing,andchou.Sheng
representsagrown-upmalewhoisgenerallypositive.Danrepresentsvariousfemalecharacters,includinghuadan,laodan,qingyiandwudan.JingisthemostromanticandexaggeratedroleinPekingOpera.Actorsplayingjingusuallyputonfacialmakeup.Chouservesasafoiltotheleadingcharacterandusuallyisthefirsttogoonthestageduringtheperformance.
"Nochou,noplay"
hasbeenapopularsayinginChina.Before-readingHowmuchdoyouknowabouttraditionalChineseopera?Searchformoreinformationandlistthestylesyoucanfind.Theme—PekingOperaisalwaysbasedonthepoliticalandmilitarystruggleofanhistoricaltheme;thestorymostlyistakenfromanhistoricalnovel.Facepainting——Itiscolourfulmake-uponthefacesoftheactorsandactresses.Thefacepainting'sdifferentcoloursusuallyrepresentthe
charactersandqualitiesofdifferentroles.Simplyspeaking,
theredpainted-facehasthepositivemeaning,
signifyingloyaltyandallegiance.
Theblackpainted-facesymbolisesfranknessandhonesty;itcanalsomeanabruptnessandimpertinence.Theblueandthegreenonesaremoreneutral,representingtheboldandcourageoushero.Yellowandwhite,ontheotherhand,isforcattinessandcunning.Thegoldenpainted-faceismoremystical,representinggodoramonster.PekingOpera,knownastheessenceofChinese
nationaldrama,displaysthesouloftheChinesenationalcultureandthecharacteristicsofthe
Chinesenation:Sincereandwarm,optimisticandaspirant.Itissaidthatthenumberoftheplaysisapproximately3,800.Atpresent,theplaysbeingperformedaremainlyofthreekinds:
thetraditionalplay(nearly1,300),
thenewly-writtenhistoricalplayandthemodernplay.Thereisabsolutely
nodoubtthatPekingOperaisatreasureofthecountry'sculture.TextBTextBGlossaryPhrases&Expressionsrepertoire/'rep?twɑ?(r)/n.全部節目troupe/tru?p/n.劇團;戲班子absorb/?b?z??b/v.吸收;理解;合并physique/f??zi?k/n.體格;體形represent/?repr??zent/v.代表;象征exaggerate/?ɡ?z?d??re?t/v.使擴大;使增大abruptness/?'br?ptnis/n.粗魯;莽撞cattiness/'k?tinis/n.如貓的性格;陰險cunning/?k?n??/n.狡猾;詭詐essence/?esns/n.本質;精髓motivate/?m??t?ve?t/vt.的積極性treasure/?tre??(r)/n.財寶;珍寶originatefrom來自……;源于……;起源similar
to跟……類似;如同no
doubt無疑地;固然LANGUAGEPOINTS–TEXTB(paragraph1)
Itwasdevelopedbyabsorbing
differentotherdramaticformslikethelocaldramacalled‘Huiban’……absorb:v.totakeinaliquid,gasorothersubstancefromthesurfaceorspacearounde.g.TheyabsorbedagreatdealoftheRomanculture.(paragraph5)
Thefacepainting’sdifferentcoloursusually
represent
thecharactersandqualitiesofdifferentroles.represent:v.beasymbolofsomethinge.g.Thedoverepresentspeace.[拓展]representationn.代表;表現;描繪e.g.Agraphicalrepresentationofresultsisshowninthisfigure.(paragraph5)
Theblackpainted-face
symbolises
franknessandhonesty;…symbolise:vt.beasymbolofe.g.WhatdotheOlympicringssymbolise?[拓展]symbolicadj.用作象征的;有象征意義的;象征性的(paragraph6)
ThereisabsolutelynodoubtthatPekingOperaisatreasure
ofthecountry’sculture.treasure:n.ahighlyvaluedobjecte.g.Traditionalcultureisaprecioustreasureforanation.【拓展】treasury(n.)財政部;金庫e.g.Theinsurancecompanywilltakewarehousestocksortreasurybondsassurety.LANGUAGEPOINTS–TEXTBTextB譯文京劇京劇,中國第一大劇種,起源于大約160年前。它是道光二十年(1840年)正式形成的。京劇是通過吸收其他不同的戲劇形式(比如當地的戲劇“徽班”)而發展起來的,徽班在18世紀在中國南方很有名。特點——京劇與西方歌劇相似,是一種集音樂、舞蹈、文學、武術、乃至面部彩繪于一體的生動別致的綜合性表演藝術,因此,它也被西方人稱為“東方歌劇”。京劇是一種“唱、念、做、打”并重的藝術)。它使觀眾從語言、音樂、體格和美術方面受到情感的啟發。角色——京劇有四個主要角色。他們是“生”“旦”“凈”“丑”?!吧贝淼氖且环N成年男性,在劇中通常是代表著正面的角色?!暗贝砹烁鞣N各樣的女性角色,包括“花旦”“老旦”“青衣”和“武旦”?!皟簟笔蔷﹦≈凶罾寺?、最夸張的角色。扮演“凈”的演員通?;瘖y?!俺蟆弊鳛橹鹘堑呐阋r,通常是演出中第一個登上舞臺的人。在中國,“無丑不成戲”一直以來是一個流行的說法。主題——京劇常表現歷史題材的政治和軍事斗爭,故事大多取自歷史小說。臉譜——這是一種在演員的臉上畫出的彩妝。臉譜的不同顏色通常代表不同角色的性格和品質。簡單地說,紅色臉譜具有積極的意義,象征著忠誠和擁護。黑色臉譜象征著坦率和誠實;它也可能意味著唐突和無禮。藍色和綠色更中性,代表了勇敢的英雄。然而,黃色和白色代表著狡猾。金色的臉譜更神秘,代表著神怪形象。京劇被稱為中國民族戲劇的精髓,它展示了中國民族文化的靈魂和中華民族的特點:真誠熱情,樂觀上進。它的非凡魅力激發了中國人的信仰。毫無疑問,京劇是國家文化的瑰寶。Exercises1.Guessthemeaningofthefollowingwordsfromthecontext,andthencheckyourunderstandingwiththehelpofadictionary.BookP.160adj.美麗的;別致的;生動的
n.忠誠;擁護
n.不適宜;魯莽;無禮adj.上進的,有野心的v.表示……的意思;意味;預示1.picturesque(Para.2)_____________2.signify(Para.5)___________________3.allegiance(Para.5)________________4.impertinence(Para.5)____________5.aspirant(Para.6)______________UNITTASKB2.Matchthewordstotheirdefinitions.symboliseabsorbmotivatespectatortreasuretakeupmentally;takeinacloseobserver;someonewholooksatsomethinganypossessionthatishighlyvaluedbyitsownerexpressindirectlybyanimage,form,ormodelgiveanincentiveforactionDAEBCExercises3.FillintheblankswithwordsfromthelistinExercise2.Theteachertriedhisbestto__________thestudentstostudyhard.WhatdoestheGreatWall_____________?Theywenttotheislandtohunttheburied____________.Hisabilityto___________informationwasastonishing.Whatisitlikehavingtobea___________insteadofaplayer?BookP.160motivatesymbolisetreasureabsorbspectatorUNITTASKB4.FillintheblanksafterreadingtextBtogetthemainideaofthetext.PekingOperaisthebiggestoperainChina1)____________________160yearsago.Similartothewesternopera,PekingOperaisacomprehensiveperformingartthat2)__________________________music,dance,literature,martialarts,andevenfacepainting.NowadaysPekingOperaincludes3)________________roles.The4)________________________offacepaintingusuallysymbolisethecharactersandqualitiesofdifferentroles.DisplayingthesouloftheChinesenationalculture,PekingOperaisabsolutelynodoubt5)_____________ofthecountry’sculture.originatingfromintegrates/combinesfourmajordifferentcoloursatreasure5.CompletethefollowingtableaboutthecoloursoffacialmakeupinPekingOpera.BookP.160ColoursoffacialmakeupSymbolicMeaningredblackblueandthegreenyellowandwhitegoldUNITTASKBloyaltyandallegiance.franknessandhonesty;itcanalsomeanabruptnessandimpertinence.theboldandcourageousherocattinessandcunningmoremystical,representinggodoramonster.LANGUAGEPRACTICEVocabularyTranslationGrammarPage162–163LANGUAGEPRACTICENounAdjectivedramahistoryhonestycourageloyaltyoptimismVocabularyProvidetheadjectivesofthenounsontheleftcolumn.Thencompletethesentencesthatfollow.BookP.162dramatichistoricalhonestcourageousloyaloptimisticTheoperaisbasedon________________events.Bekeenonlearning,goodatcommunicating,_________________inundertaking,andbraveininnovating.Wemustbe___________toourmotherland.Icanguaranteethatheisa(an)__________andreliablefellow.Sheisthekindofgirlwholikessmilingandarealways_______________.Goingtocollegebroughtabouta____________transformationinheroutlook.historicalloyalhonestoptimisticcourageousdramaticThereis___________atallthatwedidtherightthing.Theirhouse_______________ours,butoursisbigger.Heturnedoffthetelevision,____________hiscoat,andwalkedout.Hedoesnotwantto____________orpopular,hetoldreportersafewdaysago.Thebook______________personalexperience.Thispassagemay_________________amagazinedesignedforteachers.VocabularyCompletethesentenceswiththefollowingphrasesintheirproperforms.BookP.162putonbefamousbetakenfromsimilartonodoubtbebasedonnodoubtputonbefamousisbasedonbetakenfromissimilartoLANGUAGEPRACTICETranslationPutthefollowingChinesesentencesintoEnglishwiththegivenwords.BookP.162Givenstructure:…originatingfrom...(來源于……)翻譯:任何理論都來源于實踐,反過來為實踐服務。Givenstructure:…servesas…(當……)翻譯:他自薦當我們商場的經理。Givenstructure:…,ontheotherhand,…(另一方面……)翻譯:一方面,體育運動有利于保持身體健康,另一方面,沒有正確指導的運動容易導致運動損傷。Givenstructure:…nodoubtthat…(毫無疑問)翻譯:毫無疑問,他是位杰出的學者。Givenstructure:
Itissaidthat…(據說)翻譯:據說新體育館能容納五萬名觀眾。Hevolunteeredtoserveasthemanagerofourdepartmentstore.LANGUAGEPRACTICEAlltheoriesoriginatefrompracticeandinturnservepractice.Ontheonehand,sportsareconducivetomaintaininggoodhealth,ontheotherhand,sportswithoutproperguidanceareeasytocausesportsinjuries.Thereisnodoubtthatheisanoutstandingscholar.Itissaidthatthenewstadiumcanhold50,000people.BookP.163GrammarReviewTestChoosetheappropriatewordstocompletethefollowingsentences.
1.Theyweren’tmeetingheavyresistance,becausetheairforce________________________(hadalreadycrippled,alreadycrippled)enemycommunications.2.Andifwe__________________(didn’tfound,haven’tfound)herbythetimebossgetshere,youkeephimbusy.3.“Sorry,comrade,”hesaid,regretting_______(his,himself)rudeness.“Nooffense.”“Iknow,comrade._______(nothing,none)taken.”4.He_______(can’t,mustn’t)havebeeninthelibrary.5.You____________(don’thave,haven’t)topaymebackbeforenextsunday.6.Eithermybrothersormyfather_______(have,is)coming.7.NeitherMaraorI_______(is,am)going.8.Thedetective_____________(is,hasbeen)trackingherformonths.Sheisn’tgoinganywhere.9.It____________(hasbeen,hadbeen)botheringhiminrecentdays,eversincehebegantothinkofthedelayashavinganindefinitetimescale.10.Idon’tinsultpeoplejust___________(when,because)Idon’tagreewiththem.11.Thisshipwon’tleave________(when,until)thelastoneofyouissafelyonboard.12.Onlywhenthetensionhadpassed__________________________(awayhewent,didhegoaway).13.Notonly___________(ithad,hadit)builtthenestforitsmate,but_________(ithad,hadit)alsostockedfoodforthewinter.hadal
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